Far to often we have waited until it was too late to give the people who moved and inspired us recognition. We often give awards and accolades long after they were deserved. These artist have made us feel, think and move. Many have shown us that it is okay to be human and that we are not alone. If nothing else perhaps these artist will be rediscovered by some or seen in a new way by others.  We have grown up with R & B, we have watched it blend soul and jazz elements, we have seen it nod heads with hip hop grooves and dance with pop beats. I have created this list not based solely on sales, emotions, but more so on impact. Having one hit may not help, while dropping a classic album does. These artist, these women had guts, creativity and range. They did not allow music to power the song while they fell back, they were the songs and without them Rhythm & Blues would not be the same. A lot of women have contributed to R & B, here is part 1 of my All-Time list.

 

11. Lauryn Hill

 

Lauryn is on this list for one reason and that is The Miseducation Of Lauryn Hill. Her 1998 album is what debut albums should be. This album contained musical styles that ranged from R&B, Soul and Reggae, to Hip Hop and Gospel. The album was strikingly beautifully as it blended melodies in ways never done before. Her album is the perfect example of what happens when  talent meets purpose.  The album dealt with many serious life issues, but it was never bogged down. She became the 1st women to win 5 Grammys on one night and the music world is much better off because of it.  

12. Erykah Badu

Baduizm is Badu’s highly acclaimed debut album, it was released in 1997 and debuted at #2 on the Billboard charts. The album was filled with introspective lyrics, jazz and a bass-heavy sound. Baduizm was hailed as one of the leading lights of the burgeoning “Neo Soul” genre. because of Erykah’s phrasing and tempo she drew comparisons to Billie Holiday. Her lyrics challenge listeners with their highly personal, philosophical, and political content. Her albums say everything that we want to,but never do.  Through her album she was able to weave different musical influences together to create a richer sound.

13. Toni Braxton

Toni topped the Billboard 200 with her 1993 self-titled debut album her second album “Secrets”, spawned the number-one hits “You’re Makin’ Me High”, “I Love Me Some Him” and “Un-Break My Heart” songs that live forever. Braxton’s debut album won several awards, including three Grammy Awards (for Best New Artist and two consecutive awards for Best Female R&B Vocal Performance). Braxton’s broad appeal comes from her low vocal register and her range which includes R&B, adult contemporary, saucy dance tracks and sultry ballads.

14. Rihanna

Discovered as a teenager. Rihanna has a unique and powerful carribean voice, so much so that her collaborations consist of a rapper dropping 12 bars while she sings the rest. That’s a good thing because Ri-Ri’s voice has outshined every single counterpart she has been on track with. Albums Good Girl Gone Bad: Reloaded and Rated R provide her a showcase; complete with R & B, soul, dance hall, pop, a rebellious attitude and risque sexual lyrics. Her Caribbean-inflected R & B has managed to escape the package the industry tried to put her in.

15.Keyshia Cole

Cole’s 2005 debut album Way It Is  landed at number six on the Billboard 200. The song “I should have cheated” from that album told the world what was to come. What came was her second album Just Like You, which is one of the best R & B albums ever released. Keyshia’s lyrics powered by her vocals connected men and women with her pain. She has spawned a thousand wannabee, but there is only one.

 

Through their music these singers can tell you more about themselves I anyone ever could, so click the links. Other impactful R & B singers: Pink, Monica, Aalyah, Brandy, Mya, Fantasia

 Part 2

For decades Oprah Winfrey has done many things to help people whether that help came from the Oprah show’s subject matter, giving her audience members cars or opening up a school. It can even be said her 2007 endorsement of Barack Obama is what put him over the top in his bid to become president of the United States of America. First let me be clear, I know that because of the amount of hair on my face that there is zero chance that I will be on Oprah’s show. That being the case, I have no problem with Oprah at all. Oprah Winfrey is an amazing woman who has overcome unbelievable odds to become one of the most powerful and influential people in the world.

The Oprah show is largely positive, but at times it is a show of sexual anxiety, victim hood, exploitation, and dark vision of sexual relationships. Strong positive Black Men are almost non-existent on Oprah’s show. On Friday, Oprah has a live show of weekly recaps and talks about current events in a round table type of atmosphere. On Friday Jul 9, 2010 a riot broke out in Oakland California, over the police shooting of unarmed Oscar Grant, a black man, that same day Oprah was on her show eerily saying “Huuugh Jaaackmannn… I love his butt.”

What is the Message?

On Friday, March 6 of 2009 Oprah had an intervention show for Rihanna, where she famously said “If a man hits you once, he will hit you again“, in a reference to the recent altercation between singers Rihanna and Chris Brown. Many of the singers acquaintances and friends spoke out on the issue. However, Oprah, at the time, did not know Rihanna and this show was done more than a month later. Chris Brown said that since he knew Oprah and had done shows for her, that he thought that she would at least lend a helping hand and not parade him through the mud. When Bebe Winans was accused to domestic abuse Oprah didn’t cancel his appearance on her show until public protect demanded it. No one is trying to defending Chris “Fake Tears” Brown, but Oprah’s message wasn’t really directed to Rihanna, was it?

The people she supports usually sit next to her, while the opposite opinion often sit in the front row of the audience waiting to be called upon When Oprah was in Africa she said “I will not rest until every black boy and black girl has a chance to prove their worth.”, then she opened up a school for girls only.

On Friday , July 16 2010 on the Gayle King show, in referring to Mel Gibson’s tapped conversations with ex-girlfriend Oksana Grigorieva, Oprah stated “Most men in America speak to their women like Mel Gibson.” She can only know this if she has her own Talk Show Patriot Act and she might.

On an episode with Lance Armstrong, Oprah said “I never got married because I just wanted to always be myself.” Every relationship is a risk and marriage is supposed to be an partnership between individuals.

One episode stated that 70% black women are single. Seriously, is this a fact or a feeling?

Another Oprah show said that 1 out of 3 men are cheaters. This may be a correct statement, but Oprah’s shows somehow make it seem that these “Cheaters” are cheating alone, or as if the person they cheat with never knew that they were married. Raise your hand if you really think that the women Tiger Wood’s cheated with didn’t know that he was married. Tiger was dragged through the mud and rightly so, but the “Home Wreckers” are still being celebrated.


Shows like: “Men who have beaten Women”, “7 ways to end violence” and “Red Flags” are only offered to make viewers believe that Men are the beginning and end any violent act. Many claim that her shows are about empowerment, but do shows like “Wish Away Cancer”,  “A Lunchtime Face-Lift”, “Turn Back The Clock”, “Thin Your Thighs”, “Cure Menopause!”, “Erase Wrinkles”, “Banish Obesity”, really empower anything other than ratings?

You are probably saying “He’s hatin’”, or more likely “what’s the big deal. It’s just a talk show.” Oprah is the most powerful woman in media. Her show is seen in countries all over the world. So if she is constantly presenting misinformation, and one-sided opinions of males, black men in particular, then the question has to be asked; is she aiding in the racism and abuse that black men face on a daily basis? It is her show, she doesn’t have to be fair, nor does she have to be balanced, but if this is considered normal then America is not a mentally healthy nation. Men and Women are to be valued. Men are as much a part of the equation as women are. What kind of answer to do you get when you only solve half of an equation?


For decades Americans have accepted marginalization of individuals and groups, and here is where Oprah is no different. Oprah Winfrey as well as others have, perhaps unwittingly, taught the youth of America that in some respects that it is okay to mistreat someone if you can claim victim hood. These types of cycles persist in America because many of the root causes are not exposed and addressed; they are ignored, distorted, or deflected. Perhaps we all should be taking the lyrics of Travis McCoy’s “Billionaire” song to heart. In order for our nation society, in order for nation to grow everyone needs to have value. Now more than ever Americans need equality not superiority and you can put that in your Fat Wagon and pull it.

By the way Oprah telling Barbara Walters that you wished you were white is nothing to be proud about.

Part 1

Part 3


It’s a new year which means it is also time once again for Hollywood to deny America’s racial diversity. This years’ white-washing of Hollywood films is nothing new. If you even mention the fact that minority actors, are being replaced, or that Anglo-Saxons are chosen instead of minorities for the sake of sales, you will be perceived as a dinosaur, or even a racist. And I could see you ripping people as being jaded or having some major type of issue, if  the white-washing were not occurring. However, the only thing happening is that Americans are now more willing to overlook racial intolerance and slights, especially on the internet, perhaps that is what is meant by Post-Racial. In America Post-Racial means being about to voice your racism without having to check it first and looking beyond racism, even when it is right in front of you. I routinely get the N-word dropped on me via Youtube, I can only assume that electronic anonymity somehow breeds courage.

best man holiday

Even though 2013 will go down as a historic year for black film, in terms of movies made, gone are the golden age of black of the ’90s Movies such as “House Party” “Boyz in the Hood”, “New Jack City” , “Juice”, “Poetic Justice”, “Boomerang”, “What’s Love Got to Do With It”, “Menace to Society” , “Set It Off”, ”Jason’s Lyric”, “Tales From the Hood”, “Friday”, “Above the Rim” , “Malcolm X”, “Waiting to Exhale” , “Love Jones”, “How Stella Got Her Groove Back”, “Brown Sugar”, “Bad Boys” “Life” and “The Best Man”. Today some black actors have felt the need to marry white to be accepted in Hollywood the case of The Best Man Holiday is a prime example of this. These actors are employed so this does work to a degree. For some actors even this co-opting method isn’t enough and it is usually met with notions of selling out. It’s not just black actors that are doing this.

Actors are well aware  of just how prevalent the media’s white-washing is in our culture, I don’t need to mention the very egregious Harry Potter,  Twilight and Hunger Games series do I. The dominate culture overlooks this white washing because it’s inconsequential to their lives, but if a black Santa was placed in every shopping center around the country most white folks wouldn’t allow their children to take photos with him, white privilege is something minorities do not have and have been conditioned to accept. It is either accept the coded racial acting as with Toyota’s Swagger Wagon rap commercial, a T-Mobile spokesperson rapping, it’s hyping Disney’s The Prince of Persia: The Sands of Time or marry white or breed into the dominate white culture.

in 2010 The Book of Eli was released and it was for all intents and purposes was a “Black” film, but it was not marketed as such. In fact, one would have to say that Mila Kunis (Solara) was added to the film for the sole purpose of “whitening up” the cast for public consumption.

Avatar: The Last Airbender, was a popular cartoon long before it was made into a movie. However, the Native American and Asian cast of the cartoon somehow never made it into the movie. This movie has already been boycotted by several Asian groups. Even with boycotts they still casted Justin Chatwin to play Goku in the Dragon Ball: Evolution.

Kung Fu Panda 1 and 2 is one of the few movies to employ more than one Asian co-star Lucy Lu and Jackie Chan. It is a movie set in China that deal with Chinese themes, which doesn’t quite explain how Jack Black and Angelina Jolie get top billing in the Kung Fu Panda movies, a cartoon that only required their voice, could it be that they sound White… nope this decision was also based on being white because Lucy Lu’s voice has no ethnic distinction. After all the children must be brainwashed early.

Apparently relegating minorities to sports or making them mutants just isn’t enough. In the movie Wanted (2008)  Angelina Jolie was cast as the female lead, although the comic book character “Fox” is clearly black, she has also played the roles of Cleopatra and Mariane Pearl.

Disney’s Frog Princess (2009) relegated the “Black” princess to a frog for 70 percent of the movie, thereby completely ignoring race. Disney is smart. Avatar “the #1 movie of all time”, is another movie completely about race and ethic revolts that is resolved by whites. They once again save the ignorant native people…faster than you can you say Dances with Wolves.

The Prince of Persia:  The Sands of Time has taken white washing to a whole new level. Prince of Persia had its roots as a popular video game that stars a Middle Eastern hero. Since this was a well established games series the studios didn’t  have to do much, they just took everything from the game… everything except the Middle Eastern hero.Instead Disney decided to cast the Swedish-Jewish Jake Gyllenhall as the hero Dastan, complete with a British accent.

By using video games and comic books as a base, studios have room to move when it comes to story line and plot, but if you are a director why play to the fickle whims of a psychotic nation? Are they afraid of color, or perhaps Hollywood saying that only Caucasians have sex in the city either.

Hollywood is vindicated for their white-washing method when the public whole heartedly accepts an all white cast has to struggle for civil-rights as they have done with the X-Men series. This Hollywood racial ideal does not just apply to cartoons or movies based on comics, think about it and while you’re thinking about that remember the X-Men comic books aree based entirely off of Blacks, their plight, specialness and struggle for acceptance as Stan Lee put it.

X-Men: First Class doesn’t have one African-American starring in it, this  is particularly egregious because the Professor X and Magneto are specifically based on civil rights leaders Malcolm X and Dr. Martin Luther King. If I didn’t tell you, you would you have known… now you can look at X-Men First Class differently.

Hollywood finds people of color in abundance when the role is that of a thug, drug deal or a terrorist, but it enters a people of color desert when the role is that of the main character. This acceptability is everywhere often it’s subtle such as, when Zoe Zaldana says something like “I’m Dominican, Lebanese, Indian, Irish, Jamaican.” Then she turns around and plays the role of African-American freedom fighter Nina Simone (Eunice Kathleen Waymon).

Of course Captain America has to be the All-American White Boy… And Green Lantern too? On second thought why isn’t Captain America Asian?

In Tropic Thunder Robert Downey Jr. received acclaim from portraying a black man.

This Couple’s Retreat poster’s racism is so blatant, there is no need for me to comment.

The reality is that any actor can go from the bed to the screen, it just so happens that the majority that do are White actors. Maybe there are fewer minorities in film because minorities refuse the “casting couch” audition. In Hollywood white actors are elevated to icon status when they convincingly play a minority. This practice in Hollywood is as common as recycling story lines and casting couches.

There is a lot of history behind this Racebending practice, John Wayne played Genghis Khan. Yul Bynnner played a Thailand King and an Egyptian Pharaoh Rameses II. Charlton Heston played the Hebrew Moses. Al Pacino played Puerto Ricans. Mickey Rooney played Asian characters, so why can’t Johnny Depp is play Tonto, a Native American, in the The Lone Ranger movie. As a nation you would think that we have made strides to get past this, but sadly we haven’t. An Asian guy can’t be an Avenger or else the film might lose viewership…

The next time you go grocery shopping look at the covers of America’s most popular magazine and you will see the constant reminders that Americans just won’t pay to see minorities on stage or in print. In fact those magazine almost pornographic in have they usually have almost nude women on the covers. The should be displayed in the back of the store and not in the front so all of the children and be brainwashed.

I would like to say that this is a time in America where blacks don’t have to be represented as aliens, mutants, comedic relief or sports personalities. I would like to say that putting minorities, that represent America, on the cover of a magazine that everyone buys won’t decrease your sales. I would like to say that these entertainment leaders are not pushing an ideal, but I can’t say it and neither can you, see how Donald Trump has been able to stroke the latent racial fires within people. This racial agenda is not unexpected from an industry that has Mel Gibson as one of its top stars, but at least Mel Gibson was being honest. If Mel Gibson were a Black Man his arse would have already been facing charges, ask Chris Brown.

When America has a Lebanese-American Miss America, in the age of President Obama and Will Smith is Hollywood’s biggest actor, it is surprising that white-washing is still prevalent, yet it seems that looking the other way is even more prevalent. In many ways Hollywood’s practice of white-washing is actually an acknowledgment of America’s deep racial disturbance. Black actresses who passed used to get movies roles, but now even they wont get a staring movie role unless they are White-Acceptable. Strong Black male roles in Hollywood have been defacto outlawed. Black Men can’t seem to star in Hollywood unless they have been willing to cross-dressing, ask Tyler Perry, Martin Lawrence, Eddie Murphy, Wesley Snipes, Tracy Morgan, Vinh Rhames, Jamie Foxx, Kevin Hart and others.

When black males don dresses it isn’t for an artistic award winning role like Mrs. Doubtfire, apparently it is hysterical when black men dress up like women, it shows the dominate culture you are willing to do anything they ask of you… Thanks Dave Chappelle for not having a price. It may come as a shock but Black Men want to be portrayed as men. If you want to work in Hollywood, of course you have to help with the brain washing agenda, so if  the script says that you wear a dress, then you wear a dress and who wrote the script?

Hollywood must have commissioned some studies or reports that said, if they want the masses to spend their money on a product, most of the characters must be white, why else would they do it? Going to Middle Earth, you must be white. Visiting far off planets, oh we need a white representative for that. A story about Mongols, just drop a white guy in the middle of it.

Perhaps because people of color can’t see themselves being bested by a brainless zombie that can’t run, jump or hide, maybe they don’t see themselves being hacked to death by a slow walking madman in the woods, or swimming a river full of piranhas, or doing any number of stupid things that white actors get paid to do to build movie tension. Maybe they figure that the whites wont accept white actors being told what to do by Black ones. Perhaps, there is an unwritten industry rule that has cap on the amount of minorities you can have on stage, screen, on a magazine cover.

In 2016, Dawn of Justice, which is really Man of Steel II, Laurence Fishburne stars and was given six minutes of screen time only so their wouldn’t be any flack. Just one in Black person and they are usually comic relief or backing up a White star.

Face it, White America will never get over their racial fixation, they just won’t let it go. Right down to Jim Sturgess portraying Hae-Joo Chang in “Cloud Atlas” in prosthetics and yellow face no less. These things are not mere slights they are conscious acts, scripts have been stolen from Blacks (see The Matrix, Terminator) and Blacks have been written of out of roles to be replaced by whites. When you interview the directors they always say “I don’t know if it is a stereotype”, “It was done in fun” or “I have a good relationship with the Blacks”.

This is precisely the kind of attitude that makes people celebrate racially coded actions, and place human racial issues on non-humans, it’s just easier to deal with that way. In Hollywood, minorities can’t be Vampires, Wizards or fight Dragons. It is Hollywood that tells us that Black people can not hip-hop dance and act at the same time, as if there is any kind of acting in those high school musical, prom, bridesmaid or dance films.

Hollywood is a White Industry, it has always had an agenda or two and white-washing is something that the upcoming movie The Expendables seeks to capitalize on in a big way. The Expendables is a movie filled with once premiere names in the ass-kicking, action hero genre (1 Asian, 1 Black, 1 Woman, 2 Hispanics and 57 Whites), which is odd because the movies mostly takes place in South America.

The director of the Expendable films, Sylvester Stallone, throws us a racial bones as he picked Terry Crews for the black action hero role. I like Terry Crews, but he has never been an action hero, unless he is saving you from sweat and odor as he does in his Old Spice commercials. I am sure that he was selected  because of his new sit-com, Are We There Yet? Of course, the logical choice would be Michael Jai White or even Wesley Snipes, since the theme is once popular action heroes. This decision was obviously based on money and popularity, which is somewhat understandable. However, Hollywood’s sexism and racism is baseless.

According to George Lucas it took 23 years of writing and rewriting to get the movie “Red Tails” made. He said that Hollywood wouldn’t make it because it wasn’t green. “It didn’t have a major white protagonist role. I made this movie so that teenage boys would have heroes.” The latter part of the Lucas’ statement was telling in that it appears that black producers no longer have the guts to bring real black hero movies to Hollywood, or to make real relevant honest movies, due the they years of being told those movies aren’t green enough. The studios consider a 20 million dollar investment, in a movie about the legendary Tuskegee  Airmen, real American heroes to be a risky investment. The first all black action movie, you’d never figure that Star War’s George Lucas would bring it to the forefront. Was is also funny is that if the movie doesn’t financially overwhelm, movie studios will be even less likely to green light movies by Black filmmakers for Black audiences.

Straight Outta Compton

Even a good film like Straight outta Compton, The NWA rap group’s bio-picture which did well at the domestic box office was not pushed overseas. Hollywood let this film languish overseas as if only North Americans are influence by hip-hop and hip-hop culture. This limited the total for the film, why was this done? As the leaked Sony emails say Hollywood feels that “Black issues and stars don’t translate well overseas”. Is that so, or maybe you don’t want them to translate well…

Who is covered up?

(Just shut up and be glad they are doing a black superhero film…geez)

Captain-America-Civil-War-EW-Cover

“Meow”…is this what a super powerful leader of a nation would say?

On a side note Michael Jai White has been getting the shaft for years. Hollywood has opted to half train, spend millions on CGI, and hire new white male action heroes, when Michael White holds seven black belts, yet he somehow he never gets that big action flick, and it’s a damn shame too ’cause Michael Jai White kicks much butt.

There are plenty of Latino and Black actors, not to mention women that can play any of these roles a white actor is given. Is Hollywood right on, or is just giving the American public the races they crave? If you put too many non-whites on the cover of anything the masses will walk by it thinking “That’s not for me”.  That’s why there is no black Jesus, Moses, Noah, superman, spider man, batman or any other heroic man with a following. I am frankly surprised that they haven’t had Cliff Curtis playing  an Asian, Middle Eastern and a Latino all in the same film. Michael Peña is finally getting some long overdo shine.

For some reason those in entertainment believe that the public must be coddled and greased up into accepting dark heroes and heroines. If you look at 1998’s “Blade” grossed 131 million on a 40 million dollar budget. The film starred Wesley Snipes as a kick ass superhero vampire hunter. Blade proved to Marvel and Hollywood that big budget comic book superhero films were indeed viable productions. Of course Wesley couldn’t be the front man for X-Men and Avenger blockbusters, he was timely jailed and forgotten for killing whites on film with a smile.

Wesley made Marvel's the Avengers possible

Shortly after Blade, enter 2002’s blockbuster Spider and the billion dollar grossing Marvels’ The Avengers in 2012. Of course people will say they are unrelated, because they don’t want to address it, but it is there.  Some would even argue that point, but those are the same people who went shopping this week and saw dozens of magazines filled with half naked whites on the cover in front of dozen of minority eyes. These are the same people who wouldn’t take their child to see The Frog Princess, but affectionately and proudly speak of seeing Cinderella,  Sleeping Beauty and Snow White. You know who those people are. They are the ones who talk about bank ability or marketability or an actor knowing full well that it is just another code word because the explanation is not politically correct. They are the same people that would argue that “Minority” movies don’t make as much as non-minority movies, well actually that is correct, because they actually more profitable.

She's non-white alright

People love Jennifer Lawrence’s portrayal of Katniss Everdeen in the Hunger Games, who according to the book is described as ‘non-white, with dark, olive skin’…go figure.

Hunger Games was a big hit; people who read the books and fell in love with and cared about the characters were disappointed in the movie. Why? Even though the book described Rue as a black character, readers created an image of that character in their minds, they created an image they could connect with an image they could love. So when fans of the book saw a black face on screen…they threw up in their collective mouths. There are people who will argue about the authenticity of a movie’s story-line or character. But if you have seen these movies you know that it has nothing to do with acting. Hollywood has and can make the least talented person a house hold name.

If we are all equal why does Batman, Superman, Spiderman, Green Lantern, Thor and similar heroes have to look or be white? I guess not many black actors want to play impotent superheroes these days. Look at how many reiterations of Batman there have, and he’s not a super hero and he’s impotent, but he embodies white fantasies, you he will stay on the big screen.

For now only whites be pirate captains?…hmmm don’t tell the Somali’s that. Look at the half-Ethiopian character of Nora in “Warm Bodies”, played by the very white Analeigh Tipton or Tony Mendez, played by Ben Affleck, in the Academy Award Winning “Argo”.  Very soon a white director or white producer will soften their racial heart and put a minority in a traditional white role like James Bond or something remotely popular, it will be applauded and hailed as ground breaking. Whenever that day comes will it undo the hundred or so years of generational racial conditioning?

You will are bombarded with a mix of sexism, archetypes, internalized stereotypes, negative racial feelings and misplaced empathy whenever you enter a movie theater. Any American, except for Ron Paul, will say that they are against discrimination. However, most people are unaware that subconsciously everything they watch and spend money on has everything to do with race and in many cases enables racial bias. Racial biases can transferred through screens both small and large, from hearts and mind, words and actions and right into our children. You believe in equality, but somehow you prefer one race over another… where did you get that from? Post-Racial…not a chance, “White-Acceptance” more likely. Hollywood, The Media and magazines have been feeding the masses a steady and constant diet of “White-Acceptable” people from Vin Diesel, Rosario DawsonMaya RudolphDwayne Johnson, Jessica AlbaDrake, Nicki Minaj, Thandie Newton, Soledad O’Brein, Rihanna, Rashida Jones, Zoe Saldana, Amy Holmes and others, with the Los Angeles Clippers’ Blake Griffin poised to be the new face of the NBA.

Unapologetically Black

Part Novel, Part Graphic Novel, All Vampire

They take time period pieces like say the huge Pirates of the Caribbean movie series, where there are no blacks, so they can’t be captains. The closest that series has come to even using the term black is when they say “Black Light’ and “Black Beard”, this series does uses Soldana in a small out of place role. Middle Earth, Hogwarts and all of the forest towns  that crawl with vampires are devoid of minorities; even in the imaginary and alternative universes.

I am not advocating the boycott of any film like the God of Egypt, because even if the studio losses money… it’s still a write off, why do you think hey aren’t concerned with making a better product. It’s not enough to make a Facebook page on the subject because the brain-washing is so constantly ubiquitous.

America needs to talk about how the media and entertainment has warped and distorted what beauty is, but instead of talking about it we have swept this shift to White-Acceptability under the rug .

The conversation is deep and long, so I am pretty sure that Americans wont have the stomach to discuss it.  Instead of Hollywood focusing on internal frames, story lines and jump cuts it chooses to engage in these racebending practices to profit off of internalized racial biases, and perhaps that is the real Hollywood Shuffle.

If you really want your money’s worth from a book click here

Side Note: The Karate Kid (starring Jaden Smith and Jackie Chan) debuts at #1 with 58 Million. This 58 Million dollar number is of note for several reasons. For a non 3 day weekend the 58 Million for The Karate Kid sets the record for the highest grossing opening box office total for a minority movie  in history. However, half of the usual sites that report box office totals by 2pm on Sunday didn’t report it. Maybe it has something to do with the stars of the film, if it doesn’t I hope someone can tell me why this this “unusual” occurrence in box office reporting happened? Yahoo put up the box office report 5 hours later than normal and it was right after the Lakers/Celtics game…
Movies with a mixed cast like “Fast Five”,’ Fast Six” are beginning to change the game for movie goers. It this trend picks up and continues, a slightly color stuck society may be on the horizon.

Yes this is an unusual take off on Rihanna’s song Rude Boy. Why you might ask. Well her song, which is very good, posed an interesting question “Rude Boy is you big enough?”  Ri-Ri’s Rude Boy is not just another dance hall, reggae, R&B  bass  pounding pop song about just sex. Rihanna belts out some very assertive lines of healthy consensual sex, yet and still some have been critical of the song as being too raunchy. I guess when Rihanna sings lyrics like  “Touch me there… Pull my hair… Kiss it there… Move it there…” perhaps her critics should have first asked “Too Raunchy for who?”

Rude Boy” clearly does show the confusion that presently exist in our society between Making Love, Having Sex and the need to be Loved “Take it, Take it, Love me, Love me“. Yes, several men have pointed me to the part of the video where she is just really workin’ it, but that’s what I mean by confusion.  My new book It Ain’t Just The Size main story arc is a love story that follows Lance and Princess as they find their way to love, this sounds simple enough until friends, family members and a gun complicate matters. “It Ain’t Just The Size” and “Rude Boy” are both calls for honest communication between men and women. “It Ain’t Just The Size” was conceived to give the reader more… More Hip-Hop, More Pop-Culture, More Music, More Social Commentary, More Poetry,  More Humor, More Love, More Solutions, More Inspiration, More for your dollar and who doesn’t want more?

It Ain’t Just The Size was compiled from hundreds of honest conversations with hundred of people, which were molded into a compelling story. You will undoubtedly hear and see phrases applied to this book that have never accompanied a book before and like Rihanna I too have my critics. There have been those that say “it’s too real”, “it’s too funny” or “it doesn’t fit in any category”. It Ain’t Just The Size has been called “One of the most Powerful book I’ve ever read“, “Amazing”, “Entertaining”, “Controversial” and “A Great Book” as it is  filled with  thought and drama.  The real question is, are you big enough to join the conversations?

While Rihanna does what American Entertainment demands of it’s young artist, which is to brand and market themselves, a dutch magazine saw fit to refer to her as “De Niggabitch”. Rihanna’s response “I hope you can read english, because your magazine is a poor representation of the evolution of human rights! I find you disrespectful, and rather desperate!! You ran out of legit, civilized information to print! There are 1000’s of Dutch girls who would love to be recognized for their contributions to your country, you could have given them that article. Instead, you paid to print one degrading an entire race! That’s your contribution to this world! To encourage segregation, to mislead the future leaders to act in the past! You put two words together, with the intent of abasement, that made no sense…”NIGGA BITCH”?!….Well with all due respect, on behalf of my race, I have put two words together for you…FUCK YOU!!!”

Blacks and particularly Black Women have endured more than their share of coded negatively in the name of popular culture and entertainment. They have primarily been viewed as mammies, oversexed, violent, whores, acid-tongue, loud-mouths, and lazy welfare mothers in disproportionately higher numbers than other races, although coded. The complaints have been many but those in the military-industrial media are profiting by presenting Black women as disregarded hyper-sexual female stereotypes, so much so that media outlets can called black women, NiggaBitches without so much as a second thought.

The resulting social media pressure for Jackie magazine caused this response from the editor. “Because of the enormous pressure from social media, I can promise improvement in terms of language used in future issues of Jackie. Previously, I offered rectification. As I now come to the conclusion that rectification is not the right solution, I am departing. The term ‘nigga bitch” come over from America and we have only this to describe this particular style of clothes that we can try to interpret. After eight years, with my heart and soul, I have worked for Jackie. I realize that these errors – although no malicious intent – is a reason to leave.”

And with that closed quote the controversy is over, until the next time.