Karrine and Lil Wayne

Dear Karrine Steffans,

I ride for you. I really do. Most people have no idea why. Allow me to introduce myself. I’m Dr. Ebony Utley, a writer and an associate professor of communication at California State University Long Beach. I write and teach about popular culture and relationships. When Confessions of a Video Vixen dropped, I assigned it to my hip hop class and made all my students purchase it.

Confessions was important because it forced readers to contextualize a vixen’s life. After my students exhausted all the different ways they could call you a ho, I pushed them to move past their judgments and critique gendered double standards about sexuality. I demanded that they imagine how it would change them if they were sexually assaulted, abused, and abandoned as a young girl. I encouraged them to consider the conditions that lead to escapism through sex, drugs, alcohol, and hip hop fantasies. Your book was a perfect opportunity to discuss how and why women make choices in a man’s world. I asked them to respect the chutzpah of a woman not that much older than they were who put it all out there—haters be damned.

When it came time to build my brand, I modeled it after yours. Your early websites were my favorites. I learned form you that pink is a power color. You taught me how to be sexy and smart. I subscribe to the newsletter, buy the books, read the damn blog. In fact, The Vixen Manual is kinda like an Our Bodies, Ourselves for the hip hop generation. Okay, that’s an overstatement, but the pictures were a nice touch.

Your newest book How to Make Love to A Martian was a birthday gift to myself and it continues your prosex, prochoice advocacy. It was a brave decision to share your abortion story. It was also an important decision in a world where women’s rights to choose are being systematically stripped away.

Baby News: Fuck!

Four Weeks

And while Martian is a page-tuner, I’ve got to draw a line. The “love” that you and Lil Wayne have is dangerous. I know you have a niche. I know you have a core audience with expectations. I know you need to make that money, but I can’t ride for you and let other people think that your depiction of love is okay with me. Now, I generally don’t make a habit of telling people they love wrong. I’ve been flying around the country collecting definitions of love from women and children for my research, and I know there are as many definitions as there are people.

For my current project Shades of Infidelity, I’m interviewing women about their experiences with infidelity, and I’ve asked all of them to define love. I’ve learned so much about life and love that this isn’t me passing judgment on your open relationship with Lil Wayne. This is me telling you that a relationship that lacks mutual trust, respect, and honest communication isn’t a healthy love. Here come the spoilers. You define love as “the spirit of caring to the maximum level of shared connection.” Fine. Then you describe love with Wayne:

“Wayne didn’t want to know everything or anything at all, except that I loved him.”

“Wayne was loving me the way he wanted to love me, but I was loving him the way he needed to be loved.”

“He was a jealous and possessive man when it came to the women he loved. He never wanted to hear about other men. Ever. Even though all this women had no choice but to hear about all his other women and accept it.”

All bad, Karrine. Per your own definition, you’re coming up short. Is this what the maximum level of connection looks like? More importantly is this what the maximum level of connection looks like?

I know you’re both working and these representations are part of your jobs. I’m certain they fail to accurately reflect the extent of your relationship, but for all the babygirls that are fans of yours, I need them to know that:

  • When you can’t talk to your partner about that time he hurt your feelings when he flew you across the country, holed you up in a hotel, and never showed up to meet you, it’s not okay
  • Sleeping with his friend just to make him jealous instead of telling him that his getting everybody pregnant and you hearing about it on the street was hurtful, is not ideal.
  • Being in a relationship where there is no reciprocity is not a healthy relationship.

If you were just sexing Wayne for pleasure, that would be fine (although I’m not entirely sure what you see in him), but to call what you describe in Martian as love is not fine. Not. At. All.

Raw

I agree. Sometimes a man and a woman have an understanding that even they don’t understand. I have been there. But this is not that. There’s no understanding. He hurts your feelings. You swallow them. You try to move on. Love relationships require communication to achieve that understanding and that maximum level of connection. I need to communicate to you that you deserve better. You’ve been hurt. A lot. But don’t give up on yourself. Learn from your mistakes. Olivia Pope is wrong (but that’s another post). Love is not supposed to hurt more than it heals you. Love yourself first. Tell yourself the truth about this unhealthy relationship. If you can agree not to glamorize the pain anymore, I’ll agree to keep riding for you. Can you and I share that understanding?

Dr. Ebony Utley
The Woman with Ideas
theutleyexperience.com

In 1986 Run DMC released the song “My Adidas”.  Run DMC had been heavily criticized for wearing shoes with no laces, and for promoting stereotypes. So the rap group wrote a song called “My Adidas”. The wrote this song because as DMC stated “Yeah, we wear Adidas with no laces, we got gold chains, we got Cazals and all of that, but I go to St. John’s University.

The song meant something to them. The song meant something to the masses who followed Run DMC, and rocked the shelltop Adidas to show their connection with the group. It was a way of saying “don’t judge us by what we have on, or by what we look like.” It was a moment when being a rapper, being a b-boy, being poor, being from the streets didn’t mean you had no hope. It meant that you could wear your Adidas on the stage at “Live Aid” and still have people applaud. Run DMC  showed that you could be who you are and sign million dollar contracts. “My Adidas” was a song that debunked stereotypes and inspired people. I have never wore Adidas in my life, but in 1986 ‘My Adidas’ meant something to me.

Adidas partnered with Run DMC to form a clothing line of their own. It was this song and Run-DMC’s attitude that showed that Hip Hop was not just a form of music, or some lyrics put on a page. Run DMC showed that Hip Hop was a lifestyle. Since 1986, many artist and entertainers have followed the model set by Run DMC. Adidas was the first company to reap the benefits of hip-hop marketing, and hip hop expanded by a partnership with corporate America.
The entire history of Run DMC is a series of firsts…

  • The first rap act to chart in the Top 40 of the Billboard Hot 100 more than once
  • The first rap artist with a Top 10 pop charting rap album
  • The first with a R & B charting album
  • The first rap artist with gold, platinum and multi-platinum albums
  • The first rap act to appear on the cover of Rolling Stone magazine
  • The first rap act to receive a  Grammy Award nomination
  • The first rap act to make a video appearance on MTV
  • The first rap act to perform at a major arena

Fast forward to 2012 and Adidas now sponsors a hip hop artist called Two Chainz, another average rapper, with a major contract, who has just released his first album. Unfortunately this sponsorship seems more like pissing all over hip hop and it’s history, and the struggle of those that came before. Business are smart to look at a fan base and seek to capitalize off of it. These corporations don’t care if an artist has talent,or what they are saying, they just want access to the fan base and the rappers oblige them. Rappers as unproven commodities with lyrics devoid of meaning proudly hawk perfumes, clothes, liquor, colognes, headphones, ect…because they were never told where they came from, so they have no idea of where they should be going. They turned on the television, or went to youtube and saw other people had done and they copied that and become just another produced rapper.

Hip Hop is something you live.

Hip Hop is something you live

There is no struggle, no heart, no art, it’s a business. That’s all it means to them, that’s all their fans mean to them. Hip Hop means nothing to them, you can hear their passionless voices clinging to a hook. You can see it in their videos and the issues they do not speak on. They have taken the money, in exchange for the meaning. They have taken promotion over the substance and this is why these partnerships, no matter how much capital is put into them, mean absolutely nothing. They are all in such a rush to be just another rapper that history will forget.

Is it the partnership with corporate America that has caused the meaning to leave hip hop?

Was it Run DMC’s promotion of materialism, Hip Hip’s ultimately ruination?

Does Hip Hop simply not have any meaning left in it?

Join MG Hardie fan page.

A response to Dr. Boyce Watkins

I was disheartened by the recent passing of Nathaniel Hale, affectionately called “Nate Dogg”, on March 15, 2011.  The morning after his death I read ‘The Death of Nate Dogg is the End of a Very Dark and Creative Era’ an article by Dr. Boyce Watkins. This article suggests that Nate Dogg’s death was in part due to smoking marijuana. Over the last few years there has been a noticeable push to legalized marijuana, but not because gangsta rappers are smoking it, singing about it and not because minorities are smoking it, the force behind this push is middle class soccer moms and affluent whites that are smoking it. Whites who don’t want to have to hide, or get to it from dealers in an alley somewhere. Whites who see marijuana as a business model and cash crop. If smoking weed is what did Nate Dogg in you had better watch those pilots, teachers, business people, bus drivers and grandma. Nate Dogg’s death was not due to his affinity for the leafy green, but more due to his affinity for Soul Food and lack of exercise, just ask the people who know.

Inner-city Los Angeles of the 80’s and 90’s was the most violent place in America to live, but when VIP records had a studio and he was there fighting for studio time, we were there. When Nate Dogg, Snoop Dogg and Warren G formed the group “213”, we were there. When made his debut on Dr. Dre’s ‘The Chronic’ album in 1992, we were there. When his distinctive crooning helped Long Beach explode to a national audience, we were there. When he sung “Summertime in the LBC” we were there. When SWAT was called to his baby momma’s house, only to see Nate Dogg running and stumbling across the lawn with his child… while LAPD officers laughed on television, we were there too. When he dropped lines like “Smoke Weed Every Day”, “Indosmoke”, “Are You High Yet?” and “If you smoke like I smoke, then your high, like every day”, we were there. Yes, Nate Dogg’s songs were filled with smoking marijuana. Many of us could see that the end was near for the big homie due to strokes in 2007 and 2008, yet I still couldn’t help feeling some kind of way about his death. Nate Dogg’s hooks stood above all others in the game, his voice was the emotive side of West Coast Hip Hop and he never really got the ‘props’ he deserved.

Dr. Boyce also said “gangster rap is almost never positive, educational, empowered, politically active or otherwise productive”, this statement I see as problematic. When Gansta rap, put inner-city law enforcement on trial, and introduced itself to the word with this line from NWA’s Ice Cube “Fuck the police, coming straight from the underground. A young nigga’s got it bad because I’m brown.” , there was no more educational, empowered, or politically active statement than that. Is there a criminal element to the music? Yes, and that is why some have refused to listen, yet they listen to the Washington elect who happen to be robbing them every day. I respect Dr. Boyce immensely and I agree that “Gansta” rap, after corporations took over, became less the voice of the streets and a shadow of the power it has once demonstrated. Dr. Boyce it all comes down to perspective whether the negativity comes from a lyric or a Senate bill that claims to be for education, but cuts after school programs and school funding. It is true that Nathaniel Hale could have been doing something else, and you can say the same thing to each all the corrupt congressperson. Violence exists in films and books, but I have never seen anyone condemning Francis Ford Coppola, James Cameron , Stephen King or Stephanie Meyers. What I see is the masses rewarding Charlie ‘7 gram rock” Sheen’s drug usage with more money and prominence. What I see is network television shows rooting for the Lohans, Kardashians,Spears, Aguileras and Downey jr.’s of the world to get back on top after bad behavior, and I see people of color with similar transgressions being vilified, that is what society is embracing. Perhaps it is the perception that Gangsta rap is bad because it’s predominately Black. Case in point, Eminem is the most violent, misogynistic, homophobic, foul-mouthed gangsta rappers on the planet, but he gets 2 nationally televised commercials during the Superbowl and a ’60 minutes’ prime time special.

Today hip hop has blessed us with studio thugs and paper gangsters who rap about little more than partying, drinking and promiscuity, because the shooting deaths of Tupac and Biggie, showed Americans just how real thug life was. The realism of hip hop has been replaced by profit while underground music never gets heard on the radio. For all it’s relevance social realism and hard truth has a limited audience.  Dr. Boyce, Nate Dogg’s music was many things but it spoke to those of us who knew that “Brenda Had a Baby”  and nodded our heads to “Hail Mary” while quietly wondering if there was a “Gangsta’s Paradise” or if  “Heaven had a Ghetto”. He spoke to those of us who knew “Murder Was the Case” and that “911 is a joke”. His music resonated with many of us who lived at “Tha Crossroads” and knew that “It’s Dark and Hell is Hot”. His music became the theme song for the hustlers who knew “That if You Stay Ready” you don’t have to get ready, because sometimes at “Six in the Morning” the police are at your door.  He conversed with the trouble youth who wanted to be “Paid in Full” because he knew all about “C.R.E.A.M” and  “How I Could Just Kill a Man”, when your “Mind is Playin’ Tricks on Me” or when you’re “Insane in the Brain”.  Yes, his music even spoke to those who never wrote a letter to “Stan”,  hit “Rock Bottom”, or ran “8 Mile”s. he spoke to those that heard “The Message” and cried “Gangsta Tears” because they only had “One Mic”.  Nate Dogg knew that “Life is… Too Short” and though he has gone on to “The Next Episode” his impact, his music lives on within those of us who know, because we were there.

Rest In Peace Nate Dogg

 

MG Hardie

In the 80’s Hip Hop needed to co-op rock music with songs like, Run DMC’s “Walk this Way” . In the 90’s Hip-Hop co-oped R & B with albums brilliant albums like, “What’s the 411”. Today it is those genres that need Hip Hop and all of its elements just to survive. Whether it’s rock or pop acts who are rapping but saying that they aren’t, or singers who put the latest hip hop star on a track the impact of Hip Hop has been felt in every genre of music and here are the people most responsible for that, they exist beyond regular rap. This list is not solely based on album sales, or lyrics, one of the mot important criteria for this list is impact. So before you hip hop heads go crazy with the WTF’s, just ask yourself ‘Where would Hip Hop be today if none of these rappers existed?’ If you don’t see your favorite rapper on this list it is most likely because they are one dimensional, have lyrics written by other people or perhaps you are the one that is short-sighted.

 

14. Redman There are very few rappers as skilled as Redman. In term of using braggadocios wit and hard hitting beats, he is the most consistent rapper on this list and most underrated. If you have ever used the pop-culture gesture, “Raise the Roof”, then you owe him.  Redman is an elder statesman with distinctive voice and flow who exploded on to the hip-hop scene in 1992 with Whut? Thee Album. (I Be Dat, Let’s Get Dirty, On Da 99, My Zone, Whatever Man, How High, Whateva man, i’ll be dat, Pick it Up, Da Rockwilder)

 

 

13. Nelly: Is it getting hot in herre? In 2000 he blessed us with the 9x Platinum “Country Grammar” he introduced the nation to Mid West rap, or should I say the Dirty South. Skillfully rapping with unforgettable hooks and an unmistakable mid-west twang. Nelly put the Mid West on the rap map, period. Nelly’s Country Grammar opened the door that Ludacris, T.I. and Lil Wayne have walked through and that’s saying a whole lot. In 2004 the video for “Tip Drill” was released, this was a video full of strippers and naked video vixens, Nelly slid a credit card between a naked ass, after which the the lady started to pop her ass for Nelly. This video sparked controversy from black women’s groups and media, who said “Nelly and other rapper were saying that women were only good for one thing…sex.” This controversy not only led to the banning of the video “Tip Drill”, and other staple raunchy rap videos, but by the end of 2005 hip hop videos were forever changed to reflect a more creative, less overtly sexual tone. This controversy almost ruined Nelly. Nelly is also the only other rapper beside Snoop Dog to have a number #1 hit on the Country Charts. Album- Country Grammar, Nellyville (Dilemma, My Place, Country Grammar, Tip Drill, Hot in Herre 2, and Over & Over)

12. DMX His first major-label album “It’s Dark and Hell is Hot”, was released in May 1998 and debuted on the #1 on the Billboard 200. It was this album that began the comparisons to Tupac.  In December of 1998 he released “Flesh of My Flesh and Blood of My Blood”, which also debuts #1. DMX was the second rapper to have two albums released the same year debut at #1, the only other rapper was Tupac Shakur. With dark beats and harsh DMX pushed boundaries of imagery and sanity with lyrics on love, rage, God complete with prayers. Albums- It’s Dark and Hell is Hot, Flesh of My Flesh, Blood of My Blood

11. Nas: With his densely packed flow, he is the best technical rapper of his generation. Nas created a style of rapping that was more conversational, with compound rhymes and words that run into a bar. During a feud with Jay-Z, Nas solidified his stance as rap’s best by releasing a crushing battle track called “Ether.” Though his raps took a more popularized slant in the ‘90s, he has consistently delivered cutting-edge material.  His first album, “Illmatic”, is widely considered the greatest hip-hop debut of all time.  Album: (Illmatic), Songs: (It ain’t hard to tell, If I ruled the world, Ether, One love, Black Girl Lost, Book of Rhymes)

10. Biggie Smalls: A lyrical genius. His song are real life and words add up to something. His skills were untouchable, his flow almost supernatural, and for a fat man his swagger was unmatched. Biggies is credited with changing the game of rap, Biggie was to the East Coast what Tupac was to the West Coast. Biggie released two classic Hip Hop albums “Ready to Die” and “Life After Death” which made him a Hip Hop icon. He changed the way MC’s flow when he blessed “Notorious Thugs” with a verse, using the Bone Thugs style better than they did themselves. He is also one of the great storytellers in Hip Hop, unfortunate he career was cut short with his life. (Hypnotize, Juicy, What’s Beef, Warning, Kick In the Door, Who Shot Ya, Unbelievable)

9. Ice Cube: is an original Member of NWA. He along with Dr. Dre was at the forefront of 90’s gangsta rap era. A gifted storyteller, only his stories usually revolve around illegal acts and retribution. His lyrics were tough and hardcore as he scared Hollywood with his anti-white, misogynist, antisemitic lyrics and Hollywood still gave him movie roles, now that’s gangsta.  He continued to push the gangsta vibe when he created the group, Westside Connection. Westside Connection had two year olds to eighty-two year olds throwing up four fingers with two twisted in the middle. He, Snoop Dog and Too Short are the only mainstream rappers who have used curse words if they were periods and still had hit songs. He manages to stay relevant, but even more than that he has been producing television shows and is a serious actor, who every now and then still finds time to drop a gangsta album. Today his music is considered to conscious to receive radio-play. Whether he is dropping a Hip Hop movie classic like “Friday”, or producing television shows, we’ve beening trying to guess the color of his shoe laces for years. At the eight spot he may still be underrated on  the consciousness of his lyric alone.  Album- Greatest Hits (Go to church, Once Upon a Time in the Projects, You know how we do it, We be clubbin’, It Was A Good Day, Check Yo Self, You Know How We Do It, Bow Down, Why We Thugs,Natural Born Killers)

8. Ludacris: Others claim to be the King of the South, but Luda actually is the King. He popularize the Dirty South, so much that his reach touches each coast. “Word of Mouth” was a classic album regardless of the coastal region. Interesting hooks, unique style, distinctive voice, sexual overtones. A Ludacris themed album is just pure entertainment. Versatile is a word that can’t even describe Ludacris, so lets put uniquely in front of that. Luda opened up the mid western hip hop to the masses. As the market has saturated with sub par commercial rap fair Luda has taken his appeal into movie roles. Albums- Word of Mouf (Move Bitch, Area Codes, Southern Hospitality, What’s your fantasy, Stand up, Act a fool, One More Drink, Money Maker, Last of a dying breed)

7. Kanye West: He is what Tupac would be if he were raised upper middle class. Complete with social issues, political, dis and controversial all in one rap song. His flow is more akin to Spoken Word, while he may not quite be Taalam Acey he does puts it down quite nicely. He gained fame by producing Jay Z’s albums and spitting bars through a wire (while his mouth was wired shut), and then he took Jesus to the top of the hip hop and pop charts. His style is uncommon eclectic to perfection. I have always maintained that Kanye is what Tupac would be if he were middle class in the millennium, but Kanye almost to a fault love to experiment on track production. His album 2007 “Graduation” retired rapper 50 Cent. Kanye was influenced by RZA’s uses of distinctive and intricate string arrangements over his own drum tracks. He uses unique instrumentation to push the limits of creativity with each albums, sometimes he pushes a bit too far…with albums such as Yeezus which is vicious, petulant, abrasive and colossally vain.  Albums- Graduation, 808s & Heartbreak, Late Registration, The College Dropout. His collab album “Watch The Throne” with Jay Z goes even to further show his versatility and passion.

6. Jay Z  He had a hard knock life, but he is arguably the most versatile rapper ever he can flow to any beat, his wordplay is of the highest order and his presence on the mic is unmatched.  Even though he lost a rap battle to rival Nas, the war was won in the end by Jay Z. Hova is proof that if you speak clearly and have skills you can stay local and still be a national hit. His debut album “Reasonable Doubt” heralded his arrival, but he didn’t stop there, he then dropped “The Blueprint” and “The Black Album” both classic albums in their own right. There is one thing the business side of  Jay Z knows is that the audience is not only watching, it is changing, so he filled the, also classic, album “Hard Knock Life” with tons of mainstream appeal and he also shows his daring side in the experimental collaborative album “Watch The Throne” with Kanye West. Even when Jay-Z rest on his laurel with the 2013’s unpredictable “Magna Carta Holy Grail” shows that no matter the age Jay Z is an artistic rebel as well as a family stalwart  (99 Problems, Dope Man, This can’t be life, Brooklyn’s Finest, Hard Knock Life, Regrets)

                                                                                                        

5. Tupac Shakur: He rapped about poverty in America, but more importantly he rapped about how we should stop it. Tupac was rap’s greatest storyteller of all-time. His ability to convey the gangster lifestyle was unmatched. His popularity and notoriety exceeds that of any hip-hop artist. The East Coast, West Coast beef and the eventual shooting deaths of Tupac and Biggie remain rap’s biggest stories. He was the first rapper to enjoy success internationally. He earned movie roles in Above the Rim, Juice and Poetic Justice. Honestly Tupac would have had many more great songs and been higher on this list, if he wasn’t always allowing wack rappers to follow him on tracks and if he hadn’t been murdered. His verses have saved many a song, and are the only reason we listened to them. When it came to telling it like it is, or how we felt no one did it better and Tupac. Power, Spiteful, Passion, Outrageous and Inflammatory, Tupac pondered the afterlife and why, with all of our resources, social ills still persist. He didn’t need the dopest beatmaker, or a corporate machine to produce him to perfection, he just needed a mic and it was ‘Tupac against the World’. Tupac’s voice was and still is the voice of the streets. Albums- Greatest Hits (When Thugz Cry, Only God can judge me, Hail Mary, Brenda’s Got a Baby, Keep Ya Head Up, Life Goes On, Me Against the World, Ambitionz as a Ridah, Letter To My Unborn, I Wonder If Heaven’s Got a Ghetto, Hit ‘Em Up’, Changes, 2 of Amerikaz Most Wanted, Blasphemy)

4. Snoop Dog: Snoop has stretched out more vowels and dismantled more of the English language than any rapper hands down. His unique laid back cadence and delivery sets him apart from any other rapper. Snoop along with Warren G and Nate Dogg put Long Beach forever on the map. Snoop has dropped lyrics on Pop, Rock, Country and Reggae tracks and that says a lot for a Gangsta rapper from Long Beach California. After gracing Dr Dre’s “The Chronic” with his confident, laid-back flow, Snoop dropped the most important west coast release in the history of Hip Hop 1993’s “DoggyStyle”.  He helped make Death Row records (a label Tupac was also signed to) a force in the music game.  He has graced many rap albums with incredible 16’s. Snoop is constantly reinventing himself. In 2013 he dropped the reggae album Reincarnated. Reincarnated is a very good album and it is Snoop’s most positive and least commercially successful album to date, indicating that there may be a connection with negativity and hip hopSo much of an icon. in movie roles he typically stars as himself, because he’s the most interesting rapper in the world. Dr. Dre, Snoop Dog and Tupac earned the West Coast a level of respect it has since lost. Albums- Doggystyle (Gin and Juice, Drop it like it’s hot, Murder was the case, 2 of Amerikaz most wanted, Ain’t No Fun, Sensual Seduction, Lighters Up, What’s my name)

3. Eminem  His first two albums were instant classics.  His song are about true life experiences but more than that he is a lyrical mastermind. His flow is as faster and his verbiage is more on point than anyone in the game. His ability to cut people down with words is second to none. His albums are not happy, they are not party albums, they are drug addicted, domestic violence laden serious and personal albums that always seems to spark controversy. In an entertainment business that turns largely on race, Em has in many ways transcended that argument, although race has a lot to do with his broader appeal, which is evident by the fact that he has sold more albums than any other rapper. Albums- The Slim ShadyLP, Marshal Mathers LP,  (Remember me, Rock Bottom, Till I collapse, Role Model, The way I am, Stan)

 

2. KRS-1: A philosopher and poet among rappers. He put out five albums under the name Boogie Down Productions (BDP). He pre-dates raps movement towards guns and drugs and instead delivered lyrics with a message, that message was that “You Must Learn”. If the black community had an issue he rapped about it. He spoke to the spirit and the mind of the hip-hop and those that love it. Not afraid to provoke thoughts, or express his opinion he set the standard for New York Hip Hop in the late 80’s. He was crucial in organizing dozens of rappers into the “Stop the Violence Movement”, to help curb the violence in hip hop and black communities. Krs-1 is the chief promoter of Hip Hip culture, he is noted for battling any challenger that tried to stepped to his throne and he is the most respected rapper on this list.. (You Must Learn, Hip Hop Lives, South Bronx, The Bridge is over, Criminal Minded, My Philosophy, Stop the violence,

1.  Tie (Dr. Dre & P. Diddy)

Dr. Dre: What rapper/producer’s name has been uttered more times on albums than his? No ones. And that should tell you all you need to know about his impact on the world of musuc. He entered the big time with the rap group NWA. He introduced the world to Gangsta Rap, D.O.C., Snoop Dog, Eminem, 50 Cent and Music ring-tones. He used multi-layered, melodic synthesizers, slow hypnotic grooves, deep bass, a sine wave keyboard and a liberal sampling of P-funk tunes as he developed G-Funk to power the laid back West Coast vibe of  sex, drugs, violence, gangsterism and promiscuous sex. When you forgot about him, he reminded you. His beats alone have powered more top 10 hits than any other rap producer and his pupils are on this list beneath him. Albums- The Chonic, 2001 (Xxplosive, What’s the difference, Forgot about Dre, Light speed, Let me Ride, Kush)

P. Diddy  The rapper/producer who was the driving force behind Biggie, Mary J. Blige, Usher and a half dozen other rappers and groups. He brought hip hop reality television to the masses. He and protege Mase ended gangsta raps reign with shiny suits. What rapper didn’t want to make is band? He introduced the R & B world to Keysha Cole, while he put a brand new Flava in yo ear. Even with average lyrics Sean, Diddy, Puff Daddy, P. Diddy or whatever he is calling himself now-a-days has constantly beats his haters expectations. Name changes, identity crisis, business side, controversy, creativity and unusual collaborations…that is Combs, from Hip Hop from childhood to adulthood all the while his lyrics displayed relationship and religious conflicts. The uniformed masses will no doubt hate it, but Combs is the Portrait of the artist as a young rapper. Albums- No Way Out (Can’t nobody hold me down, I’ll be missing you, Been around the world, Last Night, I need a girl, Hello good morning)

Dr. Dre and P. Diddy have rapped, produced and shepherded Hip Hop from puberty, through gangsta rap and the lean corporate years. Today corporate production only focuses on catchy phrases, hooks and making sure that the music stays more powerful than lyrics. For those who wondered how middle age hip hoppers will fair, just look at these two is the answered because they’ve done it. The one true omission from the top spot is Will Smith, who is without argument the most popular rapper that ever existed, but let’s leave him at the #1 actor spot.

Very worthy of mention: Drake, Slick Rick, Rakim,Kool G Rap, Busta Rhymes, Timberland, T.I.,GZA, L.L. Cool J, E-40, Too Short, Big Daddy Kane, Kirk Franklin, Ice T, Scarface, Raekwon, Heavy D, *Justin Timberlake, 50 cent, Common, Lil Wayne, Nate Dogg, Chuck D, Mos Def, Method Man, Twista,  Lil John, Kool Moe Dee, Ben Haggerty, Ja-Rule, Kurupt, Mystical and Big Pun. Unlike many of todays rappers the rappers on this list can tell you more about themselves, through their music, than I ever could.

https://www.facebook.com/pages/MG-Hardie/277636622262511 (Join the movement)

Dear Nicki Minaj:

I’m supposed to be mad at you.  Because of the whole Barbie thing.  I don’t know if you know this, but Ruth Handler created Barbie for Mattel about 50 years ago. She was based on Lily, a blond European comic strip character with, shall we say, loose morals.  As a doll, Barbie prostituted herself for the multiple outfits, shoes, cars, houses and other accessories that parents would buy for their daughters.

A woman who compares herself to Barbie is a woman who desires to be purchased.  A black woman who compares herself to Barbie is celebrating white standards of beauty in order to be bought.  It’s objectifying, it supports patriarchy, it’s reminiscent of slavery, it’s problematic, and it’s working for you, ma.

Maybe it’s because no one can make the rumors about you hooking up with Weezy and Drake to get signed actually stick.  Maybe it’s because your glam is hotter than anything designed for Barbie. Maybe it’s because even in your blond wigs, you look black unlike Barbie’s first black friend, Christie. Maybe it’s because you got ass Barbie can only dream of.  Maybe it’s because this Barbie business is your business.

Times are hard. The black unemployment rate is 16%. One in seven Americans live in poverty. Gainful employment that pays a living wage is hard to find. You found it by being a Barbie. Congratulations.  The more complex the package, the more there is to talk about, and people are talking about you, Nicki.  We’ve been checking for your album over a year before it dropped.

Today, November 22, 2010, is your holiday.  You’ve got a lipstick collabo with MAC, a partnership with Susan G. Komen for the Cure, the world’s largest breast cancer .organization, a MTV documentary titled My Time Now, the Pink Friday album, and a pending tour.  You are packaging yourself to be sold because that’s how the game is played.  Men sell themselves all the time. When they’re successful we call them Donald Trump. When women do it, we call them dolls, puppets, pawns.  You’re doing it right, but you’re wrong about one thing. Your time isn’t now.  Your time is in the future. This is the beginning.

Turn hip pop on it’s head. Teach black girls how to be entrepreneurs—how to self promote guerilla style. Share as much as you feel comfortable about your childhood, your immigration, the domestic violence between your parents, your sexuality, your life in the industry with all those boys, and your round-the-way-girl attempts to figure these men out.  How do they do that shit?

Barbie is your business. I understand that. Lil Kim understands that too, and that’s why she’s challenging you. I know you didn’t name any names in “Roman’s Revenge.”  It has some clever lines, but Roman and Shady both hate women so I can’t give you any props on that.  Just don’t go starting any mess. Your Sucka Free cover is Kim. She’s your godmother in the game even if she’s not acting like it. Think of giving everyone who comes at you, an opportunity to eat too. Savvy women parlay hateration into product that profits the major player and all the people on her team.

I listened to your interviews, I heard you rhyme, I read about that 360 deal. I know that your time is coming. What’s next? Your own label, your own school for girls, your own non-profit? I know you can do it, Nicki. The question is will you? I’ll only be mad if you stay a Barbie.

P.S.

By the way Lil Kim’s Pink Friday Mixtape is something you don’t want to mess with, really.

Just don’t pose in any more plastic boxes, okay?

http://twitter.com/#!/mghasspoken

Dr. Ebony Utley

The Woman with Ideas

theutleyexperience.com

Ebony A. Utley, Ph.D. is an expert in hip hop, race, and love relationships. Her forthcoming book, The Gangsta’s God: The Quest for Respectability in Hip Hop (Praeger, forthcoming), blends rap, religion, and urban African American history to reveal how a God-sanctioned gangsta identity empowers young black people facing declining economic opportunities.

Kanye West recently released his new video “Power” from his album ‘Dark Twisted Fantasy”. Some have called it a Video, others have called it Art, at 90 seconds long many are saying that they are waiting on the rest of it. In this video you see a huge gold chain, naked women, violence acts and various vices, but does it push boundaries, does it raise the bar, is the video sexist; as some have suggested. As always the public will search for meaning in the Marco Brambilla produced “Power”.  In this new video, or portrait if you will, Kanye is portrayed as “Damocles”, as the legendary sword hangs above is head.  The video is scattered with ancient and modern day visual representations of the many perils that come with Power. Filled with sharp light and dark visual contrast all the way down the the white and black individuals wielding swords to strike each other down. To fully understand this video, we need to take a look at Kanye West the artist. I didn’t call him a rapper, I said the Artist, but more on that later.

I was just wondering if the MTV staff and security didn’t see Kanye wandering around below the stage before hand

While we are on Mr. West, does anyone still care if Kanye took a mic from Taylor Swift? Especially since she is really not a country artist add to that the fact that MTV was trying to steal the country youth audience by giving her a “throw away” award, (MTV also threw away and award in 2011 to Tyler the Creator, likely due to Kanye not wanting his ex-girlfriend’s (Amber Rose) husband (Wiz Khalifa) to be on stage) Kanye the artist called MTV on the throw away award. President Barack Obama, rightly called Kanye a “jackass” for his actions that night. But then again the President went to an elementary school and told the youth there that they can’t all be the next Lil Wayne…Lil Wayne.  At a Hurricane Katrina telethon, Kanye West said “George Bush doesn’t care about black people”, while it is hard to argue with him on that, but he said it so matter-of-factly, so openly and in front of so many people that his comments from that night still haunt President George W. Bush. Kanye’s words haunted ex-President George W. Bush so much that in his memior “Decision Points” that moment is listed as the lowest of his presidency? Not the Hurricane Katrina response, not 9/11, not the Mission Accomplished statement, not the Vice President’s heart attack, not illegal wire taps, or a mis-guided wars, but Kanye West saying that you don’t care about Black People was your lowest point. When asked about Kanye West’s comments that night the ex-president said “I didn’t appreciate it then, I don’t appreciate it now.”  This is a testament to the power and affect that entertainers could have and use but so very often don’t. In a 4-year period Kanye effectively tied himself to two Presidents and a rising young country star, without rhyming a single lyric.

Factions from all sides have taken swipes at Kanye West ever since he released his debut album “The College Dropout” in 2004.  The Hip Hop community poked fun at Kanye’s “808 & Heartbreak” album. An album which was dedicated to emotions and the heat break of love, but isn’t that what music, dare I say Hip Hop needs? A black man rapping about power shows how hip hop is evolving. Kanye’s power breaks down the paradox of those in the industry that say he can only talk about the hood, what it’s like to be in jail and, what it’s like to get free government cheese.  Kanye isn’t supposed to be rapping about power and he definitely isn’t supposed to be sophisticated enough to use images of Renaissance artwork  to get his point across.

Was posing on the cover of Rolling Stone wearing a crown of thorns a bad idea?

Only if you don’t remember it.

Kanye has even went so far as to suggest that his race is a major factor in why he gets a lot of media flak and is overlooked for some awards, in the words of Kanye “Give a black man a chance…Maybe my skin’s not right”. Does Kanye say things that you don’t agree with? Does he speak ingrandiose term of himself? Does he really need to say “Black”, or “I’ve got the” in order for us to see and hear it?

Hip Hop today is not focused on the Art, but the production. So much so that even the average listener is conditioned to only be concerned with catchy phrases and the formulaic dance-ability of a song. Corporations are riding the music gravy train and squeezing every drop of money out of each stop. Does anyone care that Pop singers can’t sing, or that R & B has become a soulless mosh pit of rap and pop or that Hip Hop is often little more than bad lyrics and violent rhymes? There is no doubt that corporations are pushing explicit wording, overt sexuality and trying to front the genre with White Acceptable rappers. The fact is that Hip Hop has permeated our American lives. Politicians try to relate to our youth by rhyming lines, brushing imaginary dirt off their shoulders or by throwing out a rappers name. Does controversy sell? Does sex sell? They sure do, and when the media trots out people to point fingers at they sell even more.

What do you think?

Kanye’s  lack of humility is the main reason people will always find a reason to not like him, but people also do not like his politics, race or  his grammar, yet he does seem to enjoy his share of critics. When “Dark Twisted Fantasy” was released, many that live on the music industry’s outskirts mistakenly called it a comeback. Even the most respected critics quickly deride the intellectual, or message filled rap, while at time they same time speak in glowing terms of rappers with Dr. Seuss lyrics, or an imaginary violent acumen reminiscent of Al Capone. At the same time radio and television browbeat the populace with this subpar music until they like it. Unknown to many is that the best music every created will never be heard, except for a few select people.

By incorporating spoken word poetry and narration, rappers have made their products more accessible to “the mainstream”. Some rappers have adapted by embedding knowledge into their bars, a few have extended that to their videos. Here is where Kanye West comes into play, he has now branched off into Fine Art. How many times have you or your child went to a museum to appreciate the art? Art is not just sculpture, dance, music and paintings, it also includes wood and metal shop, and he cut that from schools too. Aside from questioning the subversive qualities of power, celebrity, sexuality decadence; what Kanye does is bring the Art to you on your television, powered by images and bass lines.

Jay Z did it in his  video “On to the Next One“, but he did that more so to make fun of the pettiness of people.

Lady GaGa tried it, albeit it in a less artistic fashion with “Telephone“, but that was only to spark controversy and solidify her brand.

These entertainers are creating their own kind of power

Showing that he is a true hip hop student, Kanye’s song nods to Snap’s 1990 hit “The Power”. The hook may not be quite as catchy as “I’ve got the power”, but Kanye’s “Power” shows the power, hope and promise of Hip Hop, especially when you study your craft. The song “Power”, aside from powerful social commentary, is addressed to his many haters. Everyone should seriously take the time and really listen to his lyrics in “Power”, especially the remix. In the remix Kanye West raps in Arabic, I wonder if 20% of Americans will believe that he is a Muslim, like they do President Barack Obama.  You can love Kanye’s vocal samples and instruments or not, he has been a lightening rod for the media and consumers alike and now he is trying to spark an interest in Art, how dare he. So while you are watching Kanye West, recognize that he is so out of touch that he is and has been trying to touch each one of us. There are many followers, and those that play them for that. There are people who will say or do something just because someone else did it, and there is a growing market for that too. Maybe this type of thinking can be traced back to early childhood Art Education, I’m just sayin’.

There will still be those that think that Kanye is ignorant. However, I beg to differ, Kanye seems to know the power of Art. He is aware of the boost in creativity, the focused concentration, the increased eye-hand coordination, the sense of completion you get from it. He also knows that Art promotes thinking outside of the box because that is exactly where he is.

I have always been a big fan of Erykah Badu. She has in many ways shown the triumph of the uncompromising black female artist. At times she, through her music, has gotten personal, emotional, philosophical, and I love the way she is not afraid to show that she is political. Often, through her level consciousness, she has had the ability to bridge the gender and age gap and have everyone singing her catchy songs. She is unique from her organic sound to her style of dress both of which show her constant groove. Badu’s latest album ‘New Amerykah Part Two (Return of the Ankh) has recently come out. I am sure that this album will be more of what we have come to expect from Erykah Badu, not over processed, personal, ambient even soulful, but the album is not what this article is about.

This article is about the video “Window Seat” Badu’s new video for her first single. If you haven’t seen it, basically Erykah Badu walks down a Texas street and strips buck naked in front of everybody and lies down near where JFK was assassinated on November 22, 1963.

This is a powerful video that does with actions that her previous videos did with words and color and it stands in stark contrast to them and most videos out there. Now there will be many who won’t see the point of the video. And I won’t give you the point either, because it obviously wasn’t for you. And I appreciate the point and thusly salute Erykah for making it and I must say that Erykah has an amazing backside, but I digress.

Books that are changing everything

Is this really what entertainment has come to? Taking off all of your clothes just to make a point?

Dressing like a cartoon character to be heard?

Making yourself a pop-culture gender bender to become popular?

The answer sadly is yes. With the death of MTV entertainers have been getting more and more outrageous in this say or do anything business and all of it is about as real as a three dollar bill.

Did Erykah have a valid point to make? Could that point have been made without bearing it all in public? Is this really artist integrity? or a calculated risk over reward scenario?

Those are the same questions I asked when I saw a naked Serena Williams on the cover of last year’s ESPN Magazine, especially when I looked through the magazine and found no naked men, not that I was looking for naked men mind you.

Did either of these ladies have to go that far, probably not, but if they hadn’t we wouldn’t be talking about them right now. Let’s be real here, the “mainstream” is not checking for Badu. They are only interested in women of color when there is some kind of controversy. It does speaks volumes that a woman has to take off her clothes to be a viable artist these days and a man has to put on his to be successful. Personally I like Erykah’s counter culture attitude, but it isn’t cutting edge for her to go on television shows with her hair half-done.

How do a real artists compete with these manufactured pop-culture products? How do real musicians stand out in a time-period where the mediocre can go quadruple platinum? The answer isn’t an easy one, but it does depend on where we get our music from and whether the masses really wants to hear real music from real people, or packaged music from created products.  Two weeks ago I recently attended a small event in Long Beach of less than 50 people and the music I was given the privileged to hear there was better than all of the concerts I have been to. It was free, but I would have paid for the experience, you see where I am going with this.

Shocking videos, outrageous dress, and nakedness are not new to the industry, whether it was Elton John with his flamboyance, Prince and his innuendo, D’Angelo and Madonna with their boldness and others who were considered cutting edge with these types of statements. Not only were they out there, most of the time they were out there alone. Those artist never felt that they had to do something that wasn’t them to compete, or more shocking than what someone else did, they weren’t in the same market, but today’s markets are blended. Today we have a country star who isn’t from the country, Rappers rapping country, pop kids rapping, rappers on pop songs, R & B songs that are pop, and the blends go on and on. It is both a testament to the national oblivion and sort of  funny when you hear someone say that they don’t like rap, but the songs they listen to are actually rap.

These industries will feed us this type of empty fair until, or if we get fed up and complain loud enough and just like the media is moving the public from Health Care to Jobs, and Immigration the music industry will create something else for The Mob to follow. Did Erykah Badu have to go to such length to be heard, well we are talking about her now aren’t we? One thing is certain, it is no longer about the music and as long as the public continues to celebrate idiocy, promiscuity, those who will say whatever, do whatever, or those take off their clothes and pass it off as a form of expression I dare say that we should expect no less than the same kind of behavior from our citizenry, so Pack Light.