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Network television is changing. They are reshuffling the deck to appeal to larger audiences. They are getting rid of liberals, but they are really getting rid President Barack Obama’s musings and anyone who can’t appeal to the dominant political mass.

People will be moved whether it is Melissa Harris Perry, Al Sharpton, Toure, Joy Reid, Ronan Farrow, Alex Wagner, Jose Diaz-Balart or anyone else. That is just business, but why didn’t these brown faces see the writing on the wall?

 

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Melissa Harris Perry walks off her show after pre-exemptions

 

Why…because these brown face head shots were pretending that influx of brown faces on big screens, small screens and network news wasn’t due to Barack Obama’s presence. As his term winds down these people should have been reflective of the process that gave rise to many of the brown faces we seen daily. Reflective that Barack Obama’s travails allowed these brown faces to provide better for their families, to change zip codes to create viable platforms.

Even though some of those brown faces took their benefactor to task for two terms and eight long years, thanks is still due. They have yet to thank him for the paychecks, the raises, the platforms or the notoriety. Without Obama these brown faces would have kept the marginal outlets they had before his candidacy.

 

Pageflex Persona [document: PRS0000038_00066]

Race and Identity Polices personified

I get it; you earned this position on merit…right. Unfortunately, America seldom works like that—hardly ever. Many of these brown faces did great jobs with their shows and platforms, but no great job a brown face does would be as great as someone with a white one.

                                          Dear: Melissa Harris Perry,

                                          This is not about you. This is about President Barack Obama.

I know Melissa Harris Perry and her audience, didn’t like the repeated back and forth cuts between her segments and election coverage. A lot of people are ‘stanning’ for Melissa, Nerdland, and for a show that featured race and identity politics and Melissa never did get that Beyonce interview. Ultimately, Melissa’s insistence on discussing of Beyone’s video “formation” instead of the political race may have been the last MSNBC straw.

 

 

The cycle is changing and Melissa Harris Perry has an audience, a following and agendas behind her…she’ll be fine.

 

 

MG Hardie

This Cleveland bus incident, where the bus driver uppercuts a woman has been played and replayed in all of it’s entertainment value glory. What has been lost in all of this is the discussion. I have been hit while driving. I mean slapped, punched, steering wheel grabbed and I felt that she was really trying to kill me…us. So I know how Chris Brown felt and how this bus driver may have felt. Without passing judgement on the bus rider for spitting and hitting or on the bus driver for his rising dragon punch, what is the real issue…

Why did it take getting hit for this woman to realize that she can’t hit?

Why after 22 years of taking similar punishment from passengers did the bus driver react in this manner?

The Full Story

This is not uncommon nor an isolated incident, why? Because our society allows women to get away with hitting. Women carry the banner of “the weaker sex”, when nothing could be further from the truth. We already know who hits more…women, yet every woman is sugar, spice and everything nice and every man is a potential villain. What that approach has done is cultivate a culture of violence and victimization. Now all of a sudden he’s head butting her, choking her, hitting her…all of a sudden and she hasn’t done anything, she isn’t violent at all and she isn’t teaching these very same methods to the children, no not at all. We have become a society inequity, a society of  one law and two different rules, two different standards, which is probably why our foreign policy is one of a bully who speaks of victimization.

When the authorities respond to a domestic violence dispute and, in general, do nothing to the hitter, but remove the hitee what does that do to a child seeing it? How does that ultimately shape their view of society, their view of relationships?

You look at this cartoon and think he had it coming?
He must have said something.
That isn’t you, but deep now you know it is.
You have a problem and so does America.

What has this dual standard done to children, who have internalized these types of behaviors? It has made them adults who are violent, made them adults who hit, Adults who fear no repercussions. It has made the ledger unbalanced and therefore unequal. It has made males feel at times caged and constantly under pressure from society and in their relationship. It has breed a culture for men, that says being hit is normal. A culture that says if you are a male you should expect to get hit.

Are men violent? Men are not violent, which is contrary to what those with an agenda, and many a female blogger might say. However, males can be made to be violent. Here is an all too common example: A young man beats his girl for slapping him and we all get down on him trash him and cuddle her and everybody else that he’s ever been with. Now,here is the what you didn’t see. That young man grew up with a mother that hit. She hit his father and she all the other dudes after the father left. She hit his brother. She hit him. She allowed female cousins to hit him. As he got older he was a relationships where he was hit. The authorities who grabbed him hit him. For his part, this young adolescent, he has to take the hits because she is the weaker sex and speaking out makes him weak, speaking out makes him a punk. Expressing his emotions is something that just isn’t done, because it scares people, which is why the authorities were called in the first place, so he learned that lesson.

One day this young man’s woman decides that he didn’t answer a question correctly, or she isn’t getting enough attention, or whatever the case may be and she decides to test him by hitting him and he goes off on her. We all know the story “I just touched him and he went off.” Guess what your ‘touch’ was hit number 3,476 and that was the one that set him off. That was the one that he could take. That was his societal rebel yell. What society sees is the what came after. We see the elephant rampage. We witness the killer whale attack. We don’t see the role we played in the action. What would have happened if didn’t condone hitting in our society?  You can not give one group carte blanche to assault and hit with virtual impunity, while the companion group has to absorb all of it.

Why has society allowed women to be violent? Perhaps it has to do with men not wanting to look at our mothers as being anything but nurturers or since women represent the best of us, men don’t want to show the rest of the world that the word best’ may have been misused.  Most women who hit, do so because they can.

It’s not okay, it’s not. I tell my daughters just like I tell my son, “no one should hit”, but more importantly than telling them…I show them.

Mothers stop hitting.

Girlfriends stop hitting.

Everyone stop hitting… Hugs go a lot further.

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I can’t even explain it, women make fun of other women all the time. They nit-pick, tear down and

just search for something not to like. Some of them are down right messy sometimes. We are

supposed to work together , not nurturing hate. That’s why I feel more comfortable around men. I

had enough of people  distorting my relationships.

I remember being chased home from school being made fun of because of my clothes or my hair.

So you turn to the church, but they preach that you aren’t worthy.

Your friends tell you that you aren’t worthy.

At home you hear that you’re not worth.

The television shows you as not worthy.

The man you picked says that you’re not worthy.

Celebrate yourself, love yourself, own your worth.

You hate on others when you see them changing their world

and you can’t change yours…

and that’s the bottom line.

 

Read more inside It Ain’t Just the Size, on Kindle for .99!

Join MG Hardie‘s fan page

Dear Nicki Minaj:

I’m supposed to be mad at you.  Because of the whole Barbie thing.  I don’t know if you know this, but Ruth Handler created Barbie for Mattel about 50 years ago. She was based on Lily, a blond European comic strip character with, shall we say, loose morals.  As a doll, Barbie prostituted herself for the multiple outfits, shoes, cars, houses and other accessories that parents would buy for their daughters.

A woman who compares herself to Barbie is a woman who desires to be purchased.  A black woman who compares herself to Barbie is celebrating white standards of beauty in order to be bought.  It’s objectifying, it supports patriarchy, it’s reminiscent of slavery, it’s problematic, and it’s working for you, ma.

Maybe it’s because no one can make the rumors about you hooking up with Weezy and Drake to get signed actually stick.  Maybe it’s because your glam is hotter than anything designed for Barbie. Maybe it’s because even in your blond wigs, you look black unlike Barbie’s first black friend, Christie. Maybe it’s because you got ass Barbie can only dream of.  Maybe it’s because this Barbie business is your business.

Times are hard. The black unemployment rate is 16%. One in seven Americans live in poverty. Gainful employment that pays a living wage is hard to find. You found it by being a Barbie. Congratulations.  The more complex the package, the more there is to talk about, and people are talking about you, Nicki.  We’ve been checking for your album over a year before it dropped.

Today, November 22, 2010, is your holiday.  You’ve got a lipstick collabo with MAC, a partnership with Susan G. Komen for the Cure, the world’s largest breast cancer .organization, a MTV documentary titled My Time Now, the Pink Friday album, and a pending tour.  You are packaging yourself to be sold because that’s how the game is played.  Men sell themselves all the time. When they’re successful we call them Donald Trump. When women do it, we call them dolls, puppets, pawns.  You’re doing it right, but you’re wrong about one thing. Your time isn’t now.  Your time is in the future. This is the beginning.

Turn hip pop on it’s head. Teach black girls how to be entrepreneurs—how to self promote guerilla style. Share as much as you feel comfortable about your childhood, your immigration, the domestic violence between your parents, your sexuality, your life in the industry with all those boys, and your round-the-way-girl attempts to figure these men out.  How do they do that shit?

Barbie is your business. I understand that. Lil Kim understands that too, and that’s why she’s challenging you. I know you didn’t name any names in “Roman’s Revenge.”  It has some clever lines, but Roman and Shady both hate women so I can’t give you any props on that.  Just don’t go starting any mess. Your Sucka Free cover is Kim. She’s your godmother in the game even if she’s not acting like it. Think of giving everyone who comes at you, an opportunity to eat too. Savvy women parlay hateration into product that profits the major player and all the people on her team.

I listened to your interviews, I heard you rhyme, I read about that 360 deal. I know that your time is coming. What’s next? Your own label, your own school for girls, your own non-profit? I know you can do it, Nicki. The question is will you? I’ll only be mad if you stay a Barbie.

P.S.

By the way Lil Kim’s Pink Friday Mixtape is something you don’t want to mess with, really.

Just don’t pose in any more plastic boxes, okay?

http://twitter.com/#!/mghasspoken

Dr. Ebony Utley

The Woman with Ideas

theutleyexperience.com

Ebony A. Utley, Ph.D. is an expert in hip hop, race, and love relationships. Her forthcoming book, The Gangsta’s God: The Quest for Respectability in Hip Hop (Praeger, forthcoming), blends rap, religion, and urban African American history to reveal how a God-sanctioned gangsta identity empowers young black people facing declining economic opportunities.

I have always been a big fan of Erykah Badu. She has in many ways shown the triumph of the uncompromising black female artist. At times she, through her music, has gotten personal, emotional, philosophical, and I love the way she is not afraid to show that she is political. Often, through her level consciousness, she has had the ability to bridge the gender and age gap and have everyone singing her catchy songs. She is unique from her organic sound to her style of dress both of which show her constant groove. Badu’s latest album ‘New Amerykah Part Two (Return of the Ankh) has recently come out. I am sure that this album will be more of what we have come to expect from Erykah Badu, not over processed, personal, ambient even soulful, but the album is not what this article is about.

This article is about the video “Window Seat” Badu’s new video for her first single. If you haven’t seen it, basically Erykah Badu walks down a Texas street and strips buck naked in front of everybody and lies down near where JFK was assassinated on November 22, 1963.

This is a powerful video that does with actions that her previous videos did with words and color and it stands in stark contrast to them and most videos out there. Now there will be many who won’t see the point of the video. And I won’t give you the point either, because it obviously wasn’t for you. And I appreciate the point and thusly salute Erykah for making it and I must say that Erykah has an amazing backside, but I digress.

Books that are changing everything

Is this really what entertainment has come to? Taking off all of your clothes just to make a point?

Dressing like a cartoon character to be heard?

Making yourself a pop-culture gender bender to become popular?

The answer sadly is yes. With the death of MTV entertainers have been getting more and more outrageous in this say or do anything business and all of it is about as real as a three dollar bill.

Did Erykah have a valid point to make? Could that point have been made without bearing it all in public? Is this really artist integrity? or a calculated risk over reward scenario?

Those are the same questions I asked when I saw a naked Serena Williams on the cover of last year’s ESPN Magazine, especially when I looked through the magazine and found no naked men, not that I was looking for naked men mind you.

Did either of these ladies have to go that far, probably not, but if they hadn’t we wouldn’t be talking about them right now. Let’s be real here, the “mainstream” is not checking for Badu. They are only interested in women of color when there is some kind of controversy. It does speaks volumes that a woman has to take off her clothes to be a viable artist these days and a man has to put on his to be successful. Personally I like Erykah’s counter culture attitude, but it isn’t cutting edge for her to go on television shows with her hair half-done.

How do a real artists compete with these manufactured pop-culture products? How do real musicians stand out in a time-period where the mediocre can go quadruple platinum? The answer isn’t an easy one, but it does depend on where we get our music from and whether the masses really wants to hear real music from real people, or packaged music from created products.  Two weeks ago I recently attended a small event in Long Beach of less than 50 people and the music I was given the privileged to hear there was better than all of the concerts I have been to. It was free, but I would have paid for the experience, you see where I am going with this.

Shocking videos, outrageous dress, and nakedness are not new to the industry, whether it was Elton John with his flamboyance, Prince and his innuendo, D’Angelo and Madonna with their boldness and others who were considered cutting edge with these types of statements. Not only were they out there, most of the time they were out there alone. Those artist never felt that they had to do something that wasn’t them to compete, or more shocking than what someone else did, they weren’t in the same market, but today’s markets are blended. Today we have a country star who isn’t from the country, Rappers rapping country, pop kids rapping, rappers on pop songs, R & B songs that are pop, and the blends go on and on. It is both a testament to the national oblivion and sort of  funny when you hear someone say that they don’t like rap, but the songs they listen to are actually rap.

These industries will feed us this type of empty fair until, or if we get fed up and complain loud enough and just like the media is moving the public from Health Care to Jobs, and Immigration the music industry will create something else for The Mob to follow. Did Erykah Badu have to go to such length to be heard, well we are talking about her now aren’t we? One thing is certain, it is no longer about the music and as long as the public continues to celebrate idiocy, promiscuity, those who will say whatever, do whatever, or those take off their clothes and pass it off as a form of expression I dare say that we should expect no less than the same kind of behavior from our citizenry, so Pack Light.