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Have a heart.

 

Shoop” is a legendary song by the trailblazing hip hop group Salt-N-Pepa. We know the song, we love the song, we know the group and you agree with that first sentence I wrote. In the song Shoop the women espouse the same feelings about men.

Shoop isn’t looked upon negatively. The individuals within Salt-N-Pepa haven’t been vilified, boycotted, or taken to task for their lyrics. Salt-N-Pepa spent many albums man-ogling and telling men in no uncertain terms what they wanted them for.

Men and Women are different so shouldn’t their interpretations of similar things will also be different.

She raps “thank your momma for a butt like that.”
He raps “you got an ass like that from your momma.”

This is simply two different gendered people saying the same thing.  You’ll say it’s not but what you are really saying is that”She can get away with it but he can’t.” This is a double standard with all the agenda and psychotic trimmings. This is similar how women are more violent than men, but men are the only ones tagged with the violent label. Shoop was a sample of Ike Turner’s “I’m Blue”, how’s that for irony?

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Salt-N-Pepa here

Salt-N-Pepa’s song “Let’s Talk about Sex”, pretty much said the same thing, but people miss the point. There are thousands of songs by men showing their appreciation, like, lust of the female form, but not seeing the similarities in songs by females is not an industry problem; it’s a mental one.

Aaliyah goes Back & Forth while Lil Kim is being nasty as she wants to be. Khia can talk about her neck, back, and crack, where Nicki Manaj just so happens to put ice cream. Don’t overlook Beyonce’s drunk lovin’ or Foxy Brown’s sex without protection, disease infested. Liz Phair is fucking and running to Ciara’s Body Party. Trina maybe the realist chick, but Sheen Easton has those Sugar Walls.

Millie Jackson doesn’t want a halfway lover, but as Madonna said you can burn up from it. Iggy can give blowjobs for Louboutins, while Janet Jackson reminds the nasty boys that loves isn’t free. And by now, it doesn’t even matter how much Kelis charges for her milkshakes, because the double standard is real when everyone knows that whips and chains excites Rhianna.

Yet any male artist who utters something remotely sexual or unflattering is automatically labeled a misogynist. Maybe the blueprint laid out by Marilyn Monroe in Diamonds are a girl’s best friend was literal and not figurative.

These songs are reflective of the differences between men and women. Men aren’t and don’t protest songs where women lusting, ogling, body worshiping, showing them in a less-than-flattering light or shaming them. Men don’t protest those things not because they aren’t sensitive or that they don’t care. They don’t protest because they know it’s a song and you have a choice.

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Sometime you don’t want to feel, you just want a new purse.

“It’s so important that we let women express their sexuality and share their bodies.”K. Kardashian Sounds more like exploitation, but really how many times can you take naked photos of yourself and claim your are breaking the internet. How many times is it going to be about how you  look? If only people could take a selfie of their personality, social media would be the quietest place on the planet.

There are varying degrees to this sexual appreciation, but isn’t everyone different? Are men and women the same? Shouldn’t different points of views be appreciated for those differences not vilified, like Nelly was.

Forget the almost immediate call to the authorities when a males shows any hint of emotion…I wonder how many guys would be arrested if they dressed with their ass and flesh parts hanging out as a matter of liberation?

Women entertainers don’t have almost naked people dancing all around in their videos like men do. Some women entertainers are the almost-naked person dancing around in their videos.

These complaints from various groups and people are not about the entertainers having women on display in their video, it’s about the women displaying themselves and people being jealous of that display.

Of course we pretend like double standards don’t exist mainly because we benefit from them. There is also an anti-black-maleism is mixed into this topic in this also. How else do you explain Solange attacking Jay Z on camera and it being laughed off because it was o.k. to hit him because he’s a man. How do you explain Eminem’s lyrics vs. anyone’s…really.

 Misandry of the worst kind is the kind that goes about unchecked.

Women look men up and down, beyond his well-fitted suit, his lips, his hair, his shoes, and his wallet all the way to how he dances. Women look at men’s “packages,” watch men strut with sculpted muscle, sweating, pumped and shirtless. They watch the ones who grins because they look good with their shirts off and they watch the ones who don’t look so good with their shirts off. Women get a different, albeit less-obvious kind of eyeful, but an eye-full none-the-less. Yet it’s the men who quickly get slapped with some kind of condition or a syndrome for even acknowledging that they do the exact same thing.

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Here are the most popular searches for what people in the United States like…

Since women watch more porno than men, ladies what exactly is a porn addiction and what is the treatment for such a condition? I asked the question, knowing that no answer would come…

Some woman have made a name for themselves solely based on who they have slept with, but a man that has sexual encounter with multiple women is somehow a deviant.

Many women use vibrators like their is no tomorrow. There are married women who watch porn all day and other women who if they weren’t working would be watching porn all day, and they don’t have a condition, but Kirk Franklin does…

This double standard extends beyond music and pornography. Hillary Clinton said “I won’t play the woman card but I am a woman.” The largest allure of Hillary Clinton isn’t her policies, it’s that she gets to beat up on male candidates.

Karrine Steffans…AKA (SuperHead…don’t ask) said that Oprah and Maya Angelou were hoes…let’s see what happens when you publicly say it.

Many studies have found that women, without any legal restraints demonstrated a desire to control their partners and were more likely to use physical aggression than men.

 

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Is she still out there?

When the “terrorist” are women, society talks only of helping women and girls stay off this deadly path, while we launch unmanned drones to kill men and boys. Now that’s value…right there.

Women openly spank children and don’t get arrested, in fact most people are afraid to say anything to a woman who is disciplining her child. Someone is spanking a child in a crowded store and you need to go over four aisles to call the police…really.This powerlessness has lead to an industry of Spanking Shamers,people who openly say that people who were spanked as a child has mental issues.

If women didn’t support wars, there wouldn’t be any wars…try it and watch… Men would not be fighting other men if it weren’t for the vague notion of protecting their love. It’s violence by proxy because men are expendable.

This photo of Malcolm X carries a rifle while.peering out of a window in September 1964 issue of Ebony dramatized his defiance of threats. Contrary to what has been reported, he was actually hiding from an old girlfriend. Men are called deadbeats but bad mothers,just need a little help… She’s a stay-at-home mother, but she’s also single….ridiculous right…isn’t it all.

Tiger wood was hit with a nine-iron that fractured his cheekbone, by his wife…nothing was done, in fact he was ridiculed as the media tried to blame his injuries on a car accident. This being the case why would any male think that they would be viewed fairly? Recently Hope Solo and Britney Griner had domestic violence incidents and received a slap on the wrist for them, not so for male players, they lose their jobs.

There are more than 200 academic studies that show women are more likely to be the perpetrator in non-reciprocal violence. Since you may not read the studies that means females hit first and often, but it also means that if the male doesn’t take this kind of treatment and chooses to strike back…he then becomes the abuser. When women hit men it’s not being reported as violence, it’s views a being playful, emotional, she’s going through something or as the recipient deserved it.

People are people and no one wants to be hit by someone else, so why aren’t we as a society looking at them the same?

 

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Is it still funny?

What we will hear is a series of buts, someone muttering about pushing boundaries or role reversal, followed by lines that include copious use of the word “historically.” Women look at men as sex objects figuratively and literally, women are watching lots of porn, women are violent yet we pretend that it’s not happening.

There are laws that make infanticide a milder crime….why? Why are cities installing Safe Haven Baby Boxes, so a woman can just put her unwanted babies into these metal boxes?

We have slanted adoption laws, where women can at any time wash their hands of their kids with no consequences, financial or otherwise, to discourage infanticide, meanwhile men who walk away are jailed. Program on top of program exist supporting mothers, some of which aren’t good mothers, but men are put in jail when they are behind on child support.

Laws have been formed, jobs have been lost, and lives have been changed due to these glaring double standards. You’ll end up explaining how “Life isn’t fair”to children who will unavoidably grow up with a series of W.T.F.s in their head when they don’t have to.

 

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Today our society is not based on evidence and children grow up not understanding the whys in a land of equality and rules. Some grow up not understanding that they are somehow less than equal and the rules seem to arbitrarily be applied. As adults, we should know better. As parents, we damn sure should know better.

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There is a balance to everything

People notice how Former President Bill Clinton, who has been abusing and taking advantage of women for decades, remains one of the most beloved political figures in history. People wonder how did Ja Rule reached number one on the charts with lyrics such as, “I like to keep them drugged up on ecstasy”. While Rick Ross and Lil Wayne, in different songs, both hinted at putting something in a woman’s drink at a club, but for some reason only Rick Ross was taken to task for these lyrics.

In Chris Brown’s song “liquor,” a woman put something in his drink at a club and not one peep came from the masses. Is someone is telling the masses when to be outraged and who to be outraged at? Or are we a morally shallow society that allows double standards based on whether or not a person is liked? Either way that’s not a society built on rules, that’s a society built on enforceable whims.

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Network television is changing. They are reshuffling the deck to appeal to larger audiences. They are getting rid of liberals, but they are really getting rid President Barack Obama’s musings and anyone who can’t appeal to the dominant political mass.

People will be moved whether it is Melissa Harris Perry, Al Sharpton, Toure, Joy Reid, Ronan Farrow, Alex Wagner, Jose Diaz-Balart or anyone else. That is just business, but why didn’t these brown faces see the writing on the wall?

 

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Melissa Harris Perry walks off her show after pre-exemptions

 

Why…because these brown face head shots were pretending that influx of brown faces on big screens, small screens and network news wasn’t due to Barack Obama’s presence. As his term winds down these people should have been reflective of the process that gave rise to many of the brown faces we seen daily. Reflective that Barack Obama’s travails allowed these brown faces to provide better for their families, to change zip codes to create viable platforms.

Even though some of those brown faces took their benefactor to task for two terms and eight long years, thanks is still due. They have yet to thank him for the paychecks, the raises, the platforms or the notoriety. Without Obama these brown faces would have kept the marginal outlets they had before his candidacy.

 

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Race and Identity Polices personified

I get it; you earned this position on merit…right. Unfortunately, America seldom works like that—hardly ever. Many of these brown faces did great jobs with their shows and platforms, but no great job a brown face does would be as great as someone with a white one.

                                          Dear: Melissa Harris Perry,

                                          This is not about you. This is about President Barack Obama.

I know Melissa Harris Perry and her audience, didn’t like the repeated back and forth cuts between her segments and election coverage. A lot of people are ‘stanning’ for Melissa, Nerdland, and for a show that featured race and identity politics and Melissa never did get that Beyonce interview. Ultimately, Melissa’s insistence on discussing of Beyone’s video “formation” instead of the political race may have been the last MSNBC straw.

 

 

The cycle is changing and Melissa Harris Perry has an audience, a following and agendas behind her…she’ll be fine.

 

 

MG Hardie

The number one topic in the black community has always been discrimination. With the release of the movie “Red Tails” the debate was sparked once again, but this time by George Lucas. Does Hollywood discriminate against black actors and actresses, short answer yes, but is it more complicated than a simple yes.

If you believe George Lucas, one can agree that there maybe a huge economic reason why black actors aren’t hired and black films aren’t being made. However, if you look at Tyler Perry, you could also agree that producing a movie for $5 million, and earning $50 million is a huge profit margin for a black film. So is Lucas’ reason valid, or just a cover for our social colorism.

We aren’t talking about humorous time wasting, escapism movies like the Soul Plane’s, BAPS and Metor Man movies of the black universe, because there are many great black movies and many successful black actors and actresses in Hollywood and many of them have starring roles.

There is a noticeable absence of starring roles for blacks in big budget cinema. There are underlying reasons one you are trying to get and awards but you keep having parts in films with ensemble casts (that’s not going to work), and some of these black actors can’t act. Yes I said it and it’s not hate or shade. Some of these actors have had sitcoms on the air for years, and they still can’t act. This is where the rest of the problem lies.

If an actor has been in many films and T.V shows over the years and still can’t act, something is wrong. It’s not like these “actors” don’t have the time, or the money. Many less talented actors have rabid fans, lets be honest, most of them got their shot because of their body, dancing, singing/rapping or their cuteness, which is fine when your ten years old, but not when you’re in your 20’s in Hollywood trying to win an award.

No one calls out these actors for bad performances, because many believe there are too few blacks working in Hollywood to begin with, so the criticism is held back because of a lack of on-screen representation. Well that may well be the case, but a horrible performance is horrible no matter how you color it.

If you’ve had years of practice and you aren’t studying your craft you can’t complain about the lack of black roles. I am talking about the LisaRaye Mccoy’s and Stacey Dash’s of the black acting world and the other high profile types, LL Cool J, Ice Tea, Brandy, Bokeem Woodbine, Allen Payne, Keshia Knight Pulliam, Halle Berry, Marcus T. Paulk, T.I., Elijah Kelley, etc.

They expect black people to go to see a movie, just because there are black people in it. You would think that there are only a handful of black actors and actresses, there are many. The good ones have a greater discerning about the quality of roles they will accept. Then there are “the other actors” most of these actors aren’t being asked to pull off a “Glory”, “Ray”, “Men in Black”, “Hotel Rwanda” or “Malcolm X” role, not that every role needs to be, and they have trouble with that. A good actor can take the smallest of role, and make it stand out, otherwise you are a glorified extra.

And then the cry goes out “We aren’t getting the kind of roles we want,” “Why aren’t we getting Oscar nominations.” Here is where Tyler Perry is smart, he surrounds himself with better talent, the same thing Will Smith discovered early on. If you are waiting for someone to write a role and hopefully cast you in it, keep hoping.

You can’t go see Tyler Perry films in droves, making him the number one Black actor draw, and them complain about how Blacks aren’t getting nominated for the Oscars. The Oscars are white, and everyone else has a limited opportunity to make an impression so make the most of it. You want thinks to change be the change.

Discrimination/racism plays a part in why blacks don’t get some roles, but not studying the craft is why we get shut out of the other role, and the Oscars. To acknowledge that white privilege exist is also to acknowledge that America is not a meritocracy. Your protest and “boycott” will add a few minorities to the movie mix but once again the stigma of interracial relationships rises, after all, it isn’t just white people that cannot handle depictions of blackness.

If the casting is not done based on ability, does it really count? Do we really want movie roles based on affirmative action? If the only thing a moviegoer can say about a film is “She looked hot”, “the effects were awesome”,”Support this film because it’s black”, or “Such in such has really grown up”, the coding is that the movie wasn’t very good.

This is not to say that horrible white actors such as, Orlando Bloom, Natalie Portman, Megan Fox, Jennifer Aniston, Brad Pitt, Scarlett Johansson,  Keanu Reeves, Kim Kardashian, etc… aren’t given starring opportunities in Hollywood because they are. they get roles their talent clearly shows they don’t deserve, but most of them are smart enough to surround themselves, in films, with better acting talent.

This lack of talent can not be solved by more financing and better distribution of black films, or by the hiring of black directors, black writers or black grifters. The future Washington’s, Woodard’s, Earl Jone’s, Bassett’s,  Freeman’s, Fishburne’s, Davis’, Pounders’, Glover’s, Williams, and Pointer’s are already here in Tarji P. Henson, Larenz Tate, Mekhi Phifer, Don Cheadle, Idris Elba, Jurnee Smolett, Michael B Jordan, Anthony Mackie, Gabriel Union, Sanaa Latham, Chiwetel Ejiofor, Ryan CooglerKeke Palmer, Columbus Short and others.

These are the actors and directors we should be following and posting about. These are the black people who have shown their pedigree on film, they have not settled for mediocrity and are working on the craft. Hollywood has always took a stand against the fickle whims of an ill-informed society, in most cases Hollywood goes along with social prejudices, so if Hollywood is showing a racial regressive side, then America is as well.

Hollywood and America must realize that Blacks don’t have to be covered up or standing with a white person for validation on film of off it. Blacks don’t have to always be shown as an alien or comic relief. Blacks already struggle against invisibility and I implore producers to give more lead roles based on ability and not skin color. I call on casting agents to view talent more than popularity. I call on audiences to support good films and good directors. I call on Hollywood to write colorless scripts and stop marketing movies based on race. I call on these things because we will all be better off for it.

MG Hardie

 

Far to often we have waited until it was too late to give the people who moved and inspired us recognition. These artist have made us feel, think and move. Many have shown us that it is okay to be human and that we are not alone. If nothing else perhaps these artist will be rediscovered by some or seen in a new way by others.  We have grown up with R & B, we have watched it blend soul and jazz elements, we have seen it nod heads with hip hop grooves and dance with pop beats. I have created this list not based solely on sales, emotions, but more so on impact. Having one hit may not help, while dropping a classic album does. These women, these artist had guts, creativity and range. They did not allow music to power the song while they fell back, they were the songs and without them Rhythm & Blues would not be the same. A lot of women have contributed to R & B, here is part 2 of my All-Time list.

 

6. Mary J. Blige

What’s the 411 defined  what a debut albums should be, garnering nine Grammy Awards and four American Music Awards. Blige has recorded eight multi-platinum albums. She has received the World Music Legends Award. Her debut album “What’s the 411”  combined her tough girl personal, street wise lyrics, soulful voice with jagged hip hop beats, it was underappreciated at the time, but remains Soul’s first exploration into Hip Hop. Not many certified soul singers have been able to keep up with pop-culture, Mary J. has and inspired thousands of copycat vocalist in the process.

7. Anita Baker

She has eight Grammy Awards. Anita can not only connect with an audience like no other, but she can out sing just about everyone on this list.  She helped define urban contemporary music “Quite Storm”, with sophisticated, tradition-oriented soul and R & B. Her music has always been filled with thought, jazz and sadness. Anita Baker’s songs “Sweet Love”, “You bring me joy”, “Giving you the best that I got” and “Good Love” are songs that will live forever.

8. Beyonce (“B”, Sasha Fierce)

 

The hardest working singer on the list and it shows in her music and her videos. Beyonce’s debut solo album “Dangerously in Love” in 2003, spawned the number one hits “Baby Boy and “Crazy in Love” and became one of the most successful albums of that year, earning her five Grammy Awards.  She is one of the most honored artists by the Grammys with a total of 16 Grammy Awards Beyonce’s music is always anthem filled to perfection. She is one of the most downloaded and imitated R & B artist today. With each albums she offers something new whether she is mixing pop and funk, singing ballads or introducing us to alternative personalities, Beyonce has done it all.

9. Mariah Carey (Butterfly, Mimi, MC)

She is often thought to be too pop, but Mariah has sold more than 200 million albums. Mariah has always offered diversely soul ballads and collaborations with R&B and rap heavyweights. She is a mix between Whitney Houston and Celien Dion and thus she bridges the gap from soulful ballad to hip-hop to pop.  However, unlike Celine and Houston, Mariah writes and produces her own songs.  With a uncomparable 5 octave vocal range and a willingness to often tackle social theme Carey displays guts to go along with her talent. Her songs often display a playful mastery of high range vocal ability, which often puts Mariah is in a category few can achieve

10. Alicia Keys

 

Her music has been uncompromising, as she is distinctively respected. Her debut album, “Songs in A Minor” sold over 12 million copies. She was the best-selling new artist of 2001 He debut album earned her five Grammy Awards, including Song of the Year and Best New Artist of 2002. He second album, “The Diary of Alicia Keys”, sold eight million copies, and gained her four more Grammy Awards. The accomplished pianist incorporates classical piano into almost every track. Her songs of female empowerment, triumph, heartbreak and love are felt worldwide. Passionate, raw and strong her voice and talent are not to be denied.

R & B Singers of note: Tina Marie, Janet Jackson, Ashanti, Jill Scott, Faith Evans, Sade, Chrisette Michelle

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Part 1

Kanye West recently released his new video “Power” from his album ‘Dark Twisted Fantasy”. Some have called it a Video, others have called it Art, at 90 seconds long many are saying that they are waiting on the rest of it. In this video you see a huge gold chain, naked women, violence acts and various vices, but does it push boundaries, does it raise the bar, is the video sexist; as some have suggested. As always the public will search for meaning in the Marco Brambilla produced “Power”.  In this new video, or portrait if you will, Kanye is portrayed as “Damocles”, as the legendary sword hangs above is head.  The video is scattered with ancient and modern day visual representations of the many perils that come with Power. Filled with sharp light and dark visual contrast all the way down the the white and black individuals wielding swords to strike each other down. To fully understand this video, we need to take a look at Kanye West the artist. I didn’t call him a rapper, I said the Artist, but more on that later.

I was just wondering if the MTV staff and security didn’t see Kanye wandering around below the stage before hand

While we are on Mr. West, does anyone still care if Kanye took a mic from Taylor Swift? Especially since she is really not a country artist add to that the fact that MTV was trying to steal the country youth audience by giving her a “throw away” award, (MTV also threw away and award in 2011 to Tyler the Creator, likely due to Kanye not wanting his ex-girlfriend’s (Amber Rose) husband (Wiz Khalifa) to be on stage) Kanye the artist called MTV on the throw away award. President Barack Obama, rightly called Kanye a “jackass” for his actions that night. But then again the President went to an elementary school and told the youth there that they can’t all be the next Lil Wayne…Lil Wayne.  At a Hurricane Katrina telethon, Kanye West said “George Bush doesn’t care about black people”, while it is hard to argue with him on that, but he said it so matter-of-factly, so openly and in front of so many people that his comments from that night still haunt President George W. Bush. Kanye’s words haunted ex-President George W. Bush so much that in his memior “Decision Points” that moment is listed as the lowest of his presidency? Not the Hurricane Katrina response, not 9/11, not the Mission Accomplished statement, not the Vice President’s heart attack, not illegal wire taps, or a mis-guided wars, but Kanye West saying that you don’t care about Black People was your lowest point. When asked about Kanye West’s comments that night the ex-president said “I didn’t appreciate it then, I don’t appreciate it now.”  This is a testament to the power and affect that entertainers could have and use but so very often don’t. In a 4-year period Kanye effectively tied himself to two Presidents and a rising young country star, without rhyming a single lyric.

Factions from all sides have taken swipes at Kanye West ever since he released his debut album “The College Dropout” in 2004.  The Hip Hop community poked fun at Kanye’s “808 & Heartbreak” album. An album which was dedicated to emotions and the heat break of love, but isn’t that what music, dare I say Hip Hop needs? A black man rapping about power shows how hip hop is evolving. Kanye’s power breaks down the paradox of those in the industry that say he can only talk about the hood, what it’s like to be in jail and, what it’s like to get free government cheese.  Kanye isn’t supposed to be rapping about power and he definitely isn’t supposed to be sophisticated enough to use images of Renaissance artwork  to get his point across.

Was posing on the cover of Rolling Stone wearing a crown of thorns a bad idea?

Only if you don’t remember it.

Kanye has even went so far as to suggest that his race is a major factor in why he gets a lot of media flak and is overlooked for some awards, in the words of Kanye “Give a black man a chance…Maybe my skin’s not right”. Does Kanye say things that you don’t agree with? Does he speak ingrandiose term of himself? Does he really need to say “Black”, or “I’ve got the” in order for us to see and hear it?

Hip Hop today is not focused on the Art, but the production. So much so that even the average listener is conditioned to only be concerned with catchy phrases and the formulaic dance-ability of a song. Corporations are riding the music gravy train and squeezing every drop of money out of each stop. Does anyone care that Pop singers can’t sing, or that R & B has become a soulless mosh pit of rap and pop or that Hip Hop is often little more than bad lyrics and violent rhymes? There is no doubt that corporations are pushing explicit wording, overt sexuality and trying to front the genre with White Acceptable rappers. The fact is that Hip Hop has permeated our American lives. Politicians try to relate to our youth by rhyming lines, brushing imaginary dirt off their shoulders or by throwing out a rappers name. Does controversy sell? Does sex sell? They sure do, and when the media trots out people to point fingers at they sell even more.

What do you think?

Kanye’s  lack of humility is the main reason people will always find a reason to not like him, but people also do not like his politics, race or  his grammar, yet he does seem to enjoy his share of critics. When “Dark Twisted Fantasy” was released, many that live on the music industry’s outskirts mistakenly called it a comeback. Even the most respected critics quickly deride the intellectual, or message filled rap, while at time they same time speak in glowing terms of rappers with Dr. Seuss lyrics, or an imaginary violent acumen reminiscent of Al Capone. At the same time radio and television browbeat the populace with this subpar music until they like it. Unknown to many is that the best music every created will never be heard, except for a few select people.

By incorporating spoken word poetry and narration, rappers have made their products more accessible to “the mainstream”. Some rappers have adapted by embedding knowledge into their bars, a few have extended that to their videos. Here is where Kanye West comes into play, he has now branched off into Fine Art. How many times have you or your child went to a museum to appreciate the art? Art is not just sculpture, dance, music and paintings, it also includes wood and metal shop, and he cut that from schools too. Aside from questioning the subversive qualities of power, celebrity, sexuality decadence; what Kanye does is bring the Art to you on your television, powered by images and bass lines.

Jay Z did it in his  video “On to the Next One“, but he did that more so to make fun of the pettiness of people.

Lady GaGa tried it, albeit it in a less artistic fashion with “Telephone“, but that was only to spark controversy and solidify her brand.

These entertainers are creating their own kind of power

Showing that he is a true hip hop student, Kanye’s song nods to Snap’s 1990 hit “The Power”. The hook may not be quite as catchy as “I’ve got the power”, but Kanye’s “Power” shows the power, hope and promise of Hip Hop, especially when you study your craft. The song “Power”, aside from powerful social commentary, is addressed to his many haters. Everyone should seriously take the time and really listen to his lyrics in “Power”, especially the remix. In the remix Kanye West raps in Arabic, I wonder if 20% of Americans will believe that he is a Muslim, like they do President Barack Obama.  You can love Kanye’s vocal samples and instruments or not, he has been a lightening rod for the media and consumers alike and now he is trying to spark an interest in Art, how dare he. So while you are watching Kanye West, recognize that he is so out of touch that he is and has been trying to touch each one of us. There are many followers, and those that play them for that. There are people who will say or do something just because someone else did it, and there is a growing market for that too. Maybe this type of thinking can be traced back to early childhood Art Education, I’m just sayin’.

There will still be those that think that Kanye is ignorant. However, I beg to differ, Kanye seems to know the power of Art. He is aware of the boost in creativity, the focused concentration, the increased eye-hand coordination, the sense of completion you get from it. He also knows that Art promotes thinking outside of the box because that is exactly where he is.